Tag: strait of hormuz

Field of Souring Souls

Satan’s sister slithers through fields of drying, souring souls…

Sundering Sinners

Seeking sinners to pluck and pulverized into a poison…

Santa’s Spiked Glögg

That she uses to spike Santa’s holiday Glögg.

Archetypal Image Analysis

First Archetypal Image:

Is Satan’s sister good or bad?

Your answer is unique and utterly up to you based on your attitudes, beliefs, upbringing, and current circumstances. At first, as I searched for images of what Satan’s sister might look like, I had no idea of what I might be looking for.

I wondered whether she should look ugly like a wicked witch, gender neutral, or bewitchingly beautiful.

I stumbled upon Félicien Rops (a Belgian artists who lived between 1833 – 1898) finding his uncanny image of Satan. I found it on a poetry website and immediately thought–sure this could be what Satan’s sister looks like–sinister, sterile, and scary.

I felt I was definitely on the right track, but sought a clearer image. As I searched for one, I stumbled upon Pyramid Girl. I knew at once this was a better rendering of Satan’s sister. She is beguilingly beautiful and utterly alien at the same time–a spine-chilling duality exists about her.

Then, I found another Pyramid Head Woman in a field. This was the next line of my poem, which sealed the deal this was the image I was searching for.

I have never encountered Pyramid Woman before, but obviously she is well-known by others and depicted as a victim and an invincible warrior. I felt this duality was another key aspect to be embodied by Satan’s sister. I found two more images embodying these qualities created by an artist at the Stan Winston School of Character Art. Here I learned her apron is made of human skin, very creepy indeed and a perfect outfit for Satan’s sister.

The last image used in the archetypal animation just grabbed me. I suppose it is all the gold and skeletons. Satan’s sister would certainly be involved in collecting the dead. She would also be a devilish seductress–beautiful and scary at once.

So this is the process for how the first archetypal animation was created.

What does it mean?

That is something for you to fill in.

During his life, Carl Jung came to understand all human beings share common archetypal patterns of behavior and belief as demonstrated through customs, rituals, and myths. Certain recognizable psychological patterns and images appear over and over again between cultures and times. They live deep inside the psyche of all human beings and contain collective memories that pop into action when of specific circumstances and situations are encountered. They act much like instincts do, but archetypal patterns are more like instincts altered by consciousness.

Jung described archetypes as empty templates ready to be filled by the psychic forces triggered into action by external events. These invisible templates provide imprints of all the possibilities and consequences of choices and actions triggered by the situation.

The music for this archetypal image provides vital context and background like a fantastic fabric for space-time beings to experience things. This music is fabulous, providing texture, vibrance, and life to the image. It is Moon Runner by Dance With the Dead.

Second Archetypal Image:

Does she sunder souls for pleasure?

Again, the answer is up to you.

In creating this image, my search took me into the realm of mythic goddesses. It did not take long to understand many of the goddesses associated with death carry the blade of time with them. Death is inevitable as a mortal being and the goddesses associated with death embody this reality.

The Goddess Kali is the Divine Mother in Hinduism and known to be fierce and cause destruction of all evils, including ignorance. She is considered to be the master of death, time and change. When I found this image of Morrighan, my search focused in on the Celtic and Nordic goddesses of death.

“Morrighan is also known as Phantom queen or Morrigu. In Irish mythology, she is known as the Goddess of Death, who is associated with mainly war, battle, and death. She is also famous because of her foretelling death in the battle. Because of her association with war and battles, she is also known as a great warrior who determines which warriors walk off the battlefield.” — 21 Gods & Goddesses of Destruction, Death & Underworld

Hel is another goddess of death rising from the myths of the Nordic peoples.

“She is the ruler of the underworld and death. She is the daughter of Loki and Angrboda. Her appearance is pretty hard to explain, but it is half blue and half flesh-colored with some gloomy texture downside. She has a hall called Eljudnir, and it is a strong belief in Norse Mythology that it is the hall where mortals go who do not die in battle but of natural causes or sickness.” — 21 Gods & Goddesses of Destruction, Death & Underworld

This is another compelling rendering of Hel drawn by LeneMa7991.

And this is another depiction of Morrigan that I found on the website of The Druid Way.

Another goddess of death I found was Delire. She is not the goddess of Death in general, but instead the goddess of the Fallen, much like the valkyries of Norse mythology.

Back to the Eastern Mind

The last element of the archetypal animation is the music, which circles us back to the eastern mind and the wisdom of the upanishads that are treatises on Brahman-knowledge, which is knowledge of Ultimate Hidden Reality. I chose the song Al Bid-Aya by Jedi Mind Tricks from their album The Bridge and the Abyss. It is haunting and beautiful and utterly perfect for this topic if you listen to their official video of this song.

Third Archetypal Image:

Why is Santa’s Glögg spiked?

For the third archetypal image, I baffled myself with its own imagery. Why is Santa popping into this otherwise dark and haunting poem? And why is Satan’s sister spiking his holiday Glögg with the broken up bits of sinners?

Perhaps Santa is serving somewhat like a cosmic hero of goodness and good cheer. He has so much of it, he is able to consume dangerous amounts of collective sin down to the dregs on behalf of all of us to ease our misery and allow for a time of good cheer. This though made me think of Dumbledore who drank the poisoned water so Harry could destroy a ‘horcrux’–a thing of great evil that if not destroyed would led to the downfall of everyone they know and love.

This last archetypal animation is the most elusive to take accounting of for it veers straight into the Christmas season–a time when many people make a considerable effort to show a spirit of good cheer and collective good will. Why? Because it is a time when Christians celebrate the birth of Jesus; however, as an excellent Washington Post article points out, ‘Dec. 25 is not the date mentioned in the Bible as the day of Jesus’s birth; the Bible is actually silent on the day or the time of year  when Mary was said to have given birth to him in Bethlehem. The earliest Christians did not celebrate his birth.‘

This article further states the first celebration of Jesus’ birth took place ‘around 200 A.D. — to have taken place on Jan. 6. Why? Nobody knows, but it may have been the result of “a calculation based on an assumed date of crucifixion of April 6 coupled with the ancient belief that prophets died on the same day as their conception,” according to religionfacts.com.’

It was moved to December 25 to piggy back on pagan celebrations (such as “The Golden Bough”) that occurred during this time. Especially as practiced by the fierce and wild tribes of northern Europe–the Celtics, the Norses, and many other germanic tribes who celebrated the shortest day of the year, which signaled the return of light to their barren and frigid northern lands.

Good Olde St. Nick

Christmas underwent a further transformation with the elevation of St. Nicholas as a patron saint of Christmas. He was a real man, a Bishop, who lived in the fourth century in a place called Myra in Asia Minor (now called Turkey). He was known for helping the poor and giving secret gifts to people who needed it.

Christmas took another dramatic turn with the popularization of Santa Claus as the legendary man who encircles the world in one night flying in his sleigh to give good boys and girls around the world presents and delights. Holiday specials such as Santa Claus Is Comin’ To Town, which showed the transformation of the real man St. Nicholas into the superhero Christmas giver of cheer and goodwill worldwide.

Santa Claus Is Coming!

It is a delightful Christmas story. One I watched every year as a child for Christmas just wouldn’t be Christmas without Frosty, Rudolph, and Santa Claus!

So what is up with this spiking Santa’s tea with the broken up bits of sinners, obviously people who were not on Santa’s Good List to get toys and presents at Christmas time.

Santa and Dumbledore

Is this image referring to the self-sacrificing ability of some individuals who are capable of far more good deeds than the rest of us to ease our burden for a time?

This idea reminded me of Dumbledore drinking the poison water so Harry could destroy another ‘horcrux’. Perhaps Santa and Dumbledore represent a certain type of individual, or better yet, these characters are archetypes of a powerful curative force that lives inside of us and allows a human being to endure pain and suffering, even unto death, for the good of others.

This seemed to be on the right trail and so the images I found included these.

This definitely could be Santa enjoying a holiday Glögg left out for him. Then, images of Dumbledore to establish the connection between the two.

The Purpose of the Poison

And of course Dumbledore drinking the poison, which turns out to be the most important image and article of everything explored here.

This article, Division and Disloyalty: Ignoring Our Friends’ Wishes — and Our Own that was written by James Clark Ross and published 21 April 2020, is what my psyche was trying to convey to me as I assembled the final animation for this very short and not very good poem. He writes:

Who Are We Really?

Clark is getting at the division raging inside of ourselves. Jung also spoke of this inner divide saying:

“The greatest sin is to be unconscious.”

— C.G. Jung quotes from Quotefancy.com

Our world is very complicated and most of us are taught to operate in it like very small, spoiled children. We are taught to not question the system but to go to work at nine, come home at 6, squeeze all the housework, time with children, spouse or friends into 4 or 5 hours, go to sleep, wake up and do it again. Why? So we can be good consumers for the system that we must depend upon to sustain us or else we can’t go on.

But should we really want to go on? Is our current system of a modern life really so great? Is it so glorious and so out-of-this-world that we are willing to commit to most of our adult life to being good and obedient consumers? Is that what we really want?

Alan Watts often posed this question, what do you really want? Do we really want to play the social games of who is the boss, who can have more and who should have less, going to work at places that are mind numbing and super boring only to get laid off when we get too old or its not convenient (Nomadland captures this reality brilliantly).

What Do We Really Want?

For most of us living in modern Western societies, we wake up one day (at the far end of 50 something) and realize–my life has been a great big drag.

If we ever wake up, we may realize we’ve been consuming and entertaining ourselves to death. Thus, the passed out Santa Clause by the fire place.

The final element of this archetypal animation, a musical piece with a diabolical edge –the Evil Christmas Carols.

The Third Archetype: The AntiChrist

This Archetype does not become apparent for another 5 years, but it is rising even in the Now of this time… in the sleeping fog of the MAGA movement… in the dim brains of Trump, Miller, Musk, Vought, RFK Jr., and the rest of the bunch of bumpkins that will rush into the Presidential Office of the United States of America to speed up and usher in the final collapse of the American Empire, and quite possibly the world.

Reflecting from the Advantage of Five Years into the Future: Satan’s Sister, Santa Claus & the AntiChrist: Reflections on Now Needs to Be Updated As Follows:

As of late April 2026, the second Trump administration has been defined by escalation, spectacle, vengeance politics, and a governing style rooted in dominance rather than stability. Domestically, it has intensified deportations, expanded loyalty-based purges of institutions, weaponized investigations against critics, and governed through constant emergency framing. Internationally, it has plunged the United States into a widening confrontation with Iran, triggering global economic shockwaves and renewed fears of a broader Middle East war. 

Estimated Human Cost to Date (Based on Public Reporting / Incomplete Figures)

Because wartime numbers are always contested, these should be framed as conservative estimates:

• Immigrants / asylum seekers harmed by detention, deportation, denial of entry, family separation, and unsafe removals: difficult to quantify directly; humanitarian groups typically measure this in injuries, disappearances, suicides, and preventable deaths rather than one total number. Likely dozens to hundreds across systems over time, though official counts remain opaque.
• U.S. citizens killed or endangered through conflict escalation: no comprehensive verified total yet publicly consolidated, but military personnel casualties and contractor deaths are possible in the Iran theater.
• People on boats / naval conflict casualties: reports tied to the Hormuz crisis cite at least one vessel sunk with 104 Iranian sailors killed and others captured/interdicted. 
• Iran War total deaths (military + civilian): no definitive official figure yet, but with sustained strikes since late February, regional analysts would likely place deaths in the hundreds to low thousands when counting combatants, infrastructure strikes, and indirect casualties.

If Trump Refuses to Resolve the Conflict & the Strait of Hormuz Remains Closed

If the Strait remains partially or fully blocked, the consequences could be severe:

1. Global Oil Shock

Roughly a major share of global seaborne oil passes through Hormuz. Prolonged disruption would likely mean:

• Sharp fuel price spikes
• Inflation returning worldwide
• Airline, shipping, trucking disruptions
• Food price increases

2. Recession Risk

Europe and Asia would absorb major supply shocks. Fragile economies could tip into recession.

3. Expanded War

Iran-aligned groups in Yemen, Iraq, Lebanon, and elsewhere could widen attacks. U.S. retaliation could spread the war across multiple fronts.

4. American Political Blowback

If gas prices surge and body bags return, domestic support could erode quickly.

5. Strategic Decline

A superpower that creates crises but cannot solve them appears weaker, not stronger.

The Archetype of the AntiChrist

The AntiChrist archetype is not merely a religious villain. Psychologically and symbolically, it represents:

• False salvation through ego
• Power masquerading as truth
• Spectacle replacing substance
• Worship of image over moral reality
• Division presented as redemption
• The demand that followers abandon conscience for loyalty

It is the inversion of the sacred: using sacred language while serving domination.

How Trump Identifies With It Symbolically

Trump’s public behavior repeatedly leans into messianic imagery:

• posting himself in saintly or Christ-like iconography
• presenting himself as the only savior
• demanding personal loyalty over law
• attacking moral authorities when they challenge him
• turning grievance into gospel

Recent reports also describe symbolic conflict with the Pope and continued use of self-exalting imagery in public messaging. 

Closing Analysis

Santa Claus gives gifts without asking loyalty in return. Satan tempts openly. But the AntiChrist archetype is more dangerous because it comes smiling, wrapped in promises, cloaked in righteousness, demanding applause while emptying the soul of truth. Our age is not threatened merely by villains—it is threatened by performers mistaken for saviors.