The Most Dangerous Creature on the Planet | Part 10: Marvelization of Man

We are ploughing ahead in this series. If you want to understand why this series is call the Marvelization of Man, then skip back to blog 1: here.

Long story short, if there are going to be Marvelous Men, there are also going to be ordinary men, awful men, and god awful terrible men. And this is what we are really exploring, the underside of Marvelous.

So, here we go, taking a deep dive into the workings of the most disgusting, vile, horrid creatures to be found on planet Earth: The Totalitarian Leader!

What follows is from Joost Meerloo’s book, Rape of the Mind, published in 1956. To read more about Joost, backtrack to this blog, here.

The Totalitarian Leader

— Page 79, Rape of the Mind by Joost Meerloo

The leaders of Totalitaria are the strangest men in the state. These men are, like all other men, unique in their mental structure, and consequently we cannot make any blanket psychiatric diagnosis of the mental illness which motivates their behaviour.
But we can make some generalizations which will help us toward some understanding of the totalitarian leader. Obviously, for example, he suffers from an overwhelming need to control other human beings and to exert unlimited power, and this in itself is a psychological aberration, often rooted in deep-seated feelings of anxiety, humiliation, and inferiority. The ideologies such men propound are only used as tactical and strategical devices through which they hope to reach their final goal of complete domination over other men. This domination may help them compensate for pathological fears and feelings of unworthiness, as we can conclude from the psychological study of some modern dictators.
Fortunately, we do not have to rely on a purely hypothetical picture of the psychopathology of the totalitarian dictator. Dr. G. M. Gilbert, who studied some of the leaders of Nazi Germany during the Nuremberg trials, has given us a useful insight into their twisted minds, useful especially because it reveals to us something about the mutual interaction between the totalitarian leader and those who want to be led by him.
Hitler's suicide made a clinical investigation of his character structure impossible, but Dr. Gilbert heard many eyewitness reports of Hitler's behaviour from his friends and collaborators, and these present a fantastic picture of Nazism's prime mover. Hitler was known among his intimates as the carpet-eater, because he often threw himself on the floor in a kicking and screaming fit like an epileptic rage. From such reports, Dr. Gilbert was able to deduce something about the roots of the pathological behaviour displayed by this morbid "genius."
Hitler's paranoid hostility against the Jew was partly related to his unresolved parental conflicts; the Jews probably symbolized for him the hated drunken father who mistreated Hitler and his mother when the future Fuhrer was still a child. Hitler's obsessive thinking, his furious fanaticism, his insistence on maintaining the purity of "Aryan blood," and his ultimate mania to destroy himself and the world were obviously the results of a sick psyche.
As early as 1923, nearly ten years before he seized power, Hitler was convinced that he would one day rule the world, and he spent time designing monuments of victory, eternalizing his glory, to be erected all over the European continent when the day of victory arrived. This delusional preoccupation continued until the end of his life; in the midst of the war he created, which led him to defeat and death, Hitler continued revising and improving his architectural plans.
Nazi dictator Number Two, Hermann Goering, who committed suicide to escape the hangman, had a different psychological structure. His pathologically aggressive drivers were encouraged by the archaic military tradition of the German Junker class, to which his family belonged. From early childhood he had been compulsively and overtly aggressive. He was an autocratic and a corrupt cynic, grasping the Nazi-created opportunity to achieve purely personal gain. His contempt for the "common people" was unbounded; this was a man who had literally no sense of moral values.
Quite different again was Rudolf Hess, the man of passive yet fanatical doglike devotion, living, as it were, by proxy through the mind of his Fuhrer. His inner mental weakness made it easier for him to live through means of a proxy than through his own personality, and drove him to become the shadow of a seemingly strong man, from whom he could borrow strength. The Nazi ideology have this frustrated boy the illusion of blood identification with the glorious German race. After his wild flight to England, Hess showed obvious psychotic traits; his delusions of persecution, hysterical attacks, and periods of amnesia are among the well-known clinical symptoms of schizophrenia.
Still another type was Hans Frank, the devil's advocate, the prototype of the overambitious latent homosexual, easily seduced into political adventure, even when this was in conflict with the remnants of his conscience. For unlike Goering, Frank was capable of distinguishing between right and wrong.
Dr. Gilbert also tells us something about General Wilhelm Keitel, Hitler's Chief of Staff, who became the submissive, automatic mouthpiece of the Fuhrer, mixing military honor and personal ambition in the service of his own unimportance.
Of a different quality is the S.S. Colonel, Hoess, the murderer of millions in the concentration camp of Auschwitz. A pathological character structure is obvious in this case. All his life, Hoess had been a lonely, withdrawn, schizoid personality, without any conscience, wallowing in his own hostile and destructive fantasies. Alone and bereft of human attachments, he was intuitively sought out by Himmler for this most savage of all the Nazi jobs. He was a useful instrument for the committing of the most bestial deeds.
Unfortunately, we have no clear psychiatric picture yet of the Russian dictator Stalin. There have been several reports that during the last years of his life he had a tremendous persecution phobia and lived in constant terror that he would become the victim of his own purges.
Psychological analysis of these men shows clearly that a pathological culture -- a mad world - can be built by certain impressive psychoneurotic types. The venal political figures need not even comprehend the social and political consequences of their behaviour. They are compelled not by ideological belief, no matter how much they may rationalize to convince themselves they are, but by the distortions of their own personalities. They are not motivated by their advertised urge to serve their country or mankind, but rather by an overwhelming need and compulsion to satisfy the cravings of their own pathological character structures.
The ideologies they spout are not real goals; they are the cynical devices by which these sick men hope to achieve some personal sense of worth and power. Subtle inner lies seduce them into going from bad to worse. Defensive self-deception, arrested insight, evasion of emotional identification with others, degradation of empathy - the mind has many defense mechanisms with which to blind the conscience.
A clear example of this can be seen in the way the Nazi leaders defended themselves through continuous self-justification and exculpation when they were brought before the bar at the Nuremberg trials. These murderers were aggrieved and hurt by the accusations brought against them; they were the very picture of injured innocence.
Any form of leadership, if unchecked by controls, may gradually turn into dictatorship. Being a leader, carrying great power and responsibility for other people's lives, is a monumental test for the human psyche. The weak leader is the man who cannot meet it, who simply abdicates his responsibility. The dictator is the man who replaces the existing standards of justice and morality by more and more private prestige, by more and more power, and eventually isolates himself more and more from the rest of humanity. His suspicion grows, his isolation grows, and the vicious circle leading to a paranoid attitude begins to develop.
The dictator is not only a sick man, he is also a cruel opportunist. He sees no value in any other person and feels no gratitude for any help he may have received. He is suspicious and dishonest and believes that his personal ends justify any means he may use to achieve them. Peculiarly enough, every tyrant still searches for some self-justification. Without such a soothing device for his own conscience, he cannot live.
His attitude toward other people is manipulative; to him, they are merely tools for the advancement of his own interests. He rejects the conception of doubt, of internal contradictions, of man's inborn ambivalence. He denies the psychological fact that man grows to maturity through groping, through trial and error, through the interplay of contrasting feelings. Because he will not permit himself to grope, to learn through trial and error, the dictator can never become a mature person. But whether he acknowledges them or not, he has internal conflicts, he suffers somewhere from internal confusion. These inner "weaknesses" he tries to repress sternly; if they were to come to the surface, they might interfere with the achievement of his goals. Yet, in the attacks of rage his weakening strength is evident.
It is because the dictator is afraid, albeit unconsciously, of his own internal contradictions, that he is afraid of the same internal contradictions of his fellow men. He must purge and purge, terrorize and terrorize in order to still his own raging inner drives. He must kill every doubter, destroy every person who makes a mistake, imprison everyone who cannot be proved to be utterly single-minded. In Totalitaria, the latent aggression and savagery in man are cultivate by the dictator to such a degree that they can explode into mass criminal actions shown by Hitler's persecution of minorities. Ultimately, the country shows a real pathology, an utter dominance of destructive and self-destructive tendencies.

Archetypal Animations

Feature Archetypal Animation

Images: Midjourney

Music: Trump Chill Covers — Maestro Ziikos — [10] Unstoppable – Trump    3:36

First Archetypal Animation

Images — Midjourney

Music: Mountain of Memory (Remixes) — Emancipator: Dodo – ITO Remix    4:49

Second Archetypal Animation

Images — Midjourney

Music: Make America Great Again — Trump The Don — [1] Make America Great Again    2:17

Previous Marvelization of Man Blogs

Indoctrination Barrage | Part 5: The Marvelization of Man

Introduction: Reminder Why We Need Strong Super Hero Movies

I found a great article on Harrison Ford in Esquire where the writer Ryan asks Harrison what he thinks the point of stories are for people. Harrison answers:

“I guess the point is, these stories we see—movies, novels—we look for ourselves in these characters and these stories,” I say, rebooting.
He nods. “We look for ourselves, and we look for useful information to help us navigate our fucking lives and the world that we’re living in,” he says. “We don’t realize we’re looking for that. But we’re looking to pull out of a fantasy something that’s useful to us. And what’s useful to us is to emotionally participate in things outside of our own lives.” 

-- Esquire | Harrison Ford Has Stories to Tell |Yeah, Indiana Jones is back. But enough with the legend stuff. We spent two days in L.A. with Ford—in his airplane hangar, at his house—drinking bourbon and talking about what really matters in life. By Ryan D'Agostino | PUBLISHED: MAY 31, 2023
Hans Solo & His Poached Egg | Music: Poached Egg by The Namby Pamby

To understand the animation of Hans Solo and his poached eggs you need to read the article in Esquire. In short, Harrison Ford is a super hero archetype actor. He’s acted in Star Wars (no date needed!), Raiders of the Lost Ark (1981), Blade Runner (1982), Witness (1985), The Mosquito Coast (1986), Working Girl (1988), Presumed Innocent (1990), Patriot Games (1992), The Fugitive (1993), Clear and Present Danger (1994), Air Force One (1997), and Marvel movies as the President of the United States, and more.

Harrison knows better than most why we like and need stories in our lives. He’s acted in a bunch of them after all where it is his job to depict Arches of Consciousness. That is what stories and movies are all about. And as Arches of Consciousness, every arch has a light side and a shadow side. Just as human beings do and this is because we get to decide what side of an archetype we act upon. Our super hero movies and modern stories, just like ancient myths, depict what happens to human beings when they choose to act on one side of an arch or the other in constantly changing situations, which is the position we all find ourselves in as conscious living beings throughout our lives.

Arches of Consciousness | Music: Stream Of Consciousness — Coherent Energy

Stories are short cuts to consequences, karma. And karma is nothing more than the consequences of conscious choices made by human beings. Stories show us what might happen when we choose to act using one side or another side of an Arch of Consciousness or if we only choose to act using a very narrow spectrum of our full conscious capabilities.


The Indoctrination Barrage

So let’s get back to the meat of consciousness and why we need to pay attention and use our minds critically every moment of every day. We need to do this work of critical thinking, which is how we work out our consciousness, to stay healthy and free. We need to work out our minds just like we need to work out our bodies to stay healthy and live a long life.

Here is the next section of Joost A. M. Meerloo’s landmark book The Rape of the Mind, Chapter 5: The Indoctrination Barrage, beginning on page 71.

The continual intrusion into our minds of the hammering noises of arguments an propaganda can lead to two kinds of reactions. It may lead to apathy and indifference, the I-don't-care reaction, or to a more intensified desire to study and to understand. Unfortunately, the first reaction is the more popular one. The flight from study and awareness is much too common in a world that throws too many confusing pictures to the individual. For the sake of our democracy, based on freedom and individualism, we have to bring ourselves back to study again and again. Otherwise, we can become easy victims of a well-planned verbal attack on our minds and consciences.
We Don’t Need No Education | Music: We Don’t Need No EducationRegent Street
We cannot be enough aware of the continual coercion of our senses and minds, the continual suggestive attacks which may pass through the intellectual barriers of insight. Repetition and Pavlovian conditioning exhaust the individual and may seduce him ultimately to accept a truth he himself initially defied and scorned. 
Pavlovian Conditioning | Music: The Chain (cover) — Marvel Years
The totalitarians are very ingenious in arousing latent guilt in us by repeating over and over again how criminally the Western World has acted toward innocent and peaceful people. The totalitarians may attack our identification with our leaders by ridiculing them, making use of every man's latent critical attitude toward all leaders. Sometimes they use the strategy of boredom to lull the people to sleep. They would like the entire Western world to fall into a hypnotic sleep under the illusion of peaceful coexistence. In a more refined strategy, they would like to have us cut all our ties of loyalty with the past, away from relatives and parents. The more you have forsaken them and their so-called outmoded concepts, the better you will cooperate with those who want to take mental possession of you. Every political strategy that aims toward arousing fear and suspicion tends to isolate the insecure individual until he surrenders to those forces that seem to him stronger than his former friends. 
And last but not least, let us not forget that in the battle of arguments those with the best and most forceful strategy tend to win. The totalitarians organize intensive dialectical training for their subjects lest their doubts get the better of them. They try to do the same thing to the rest of the world in a less obtrusive way.
We have to learn to encounter the totalitarians' exhausting barrage of words with better training and better understanding. If we try to escape from these problems of mental defense or deny their complications, the cold war will gradually be lost to the slow encroachment of words -- and more words.
I’m GOD | Music: I’m God (Best Part Looped) — Crystalline

Concluding Thoughts

Resist, resist, resist the I-don’t-care reaction! Push yourself to learn, study, and understand. Run, don’t walk, towards the more intensified desire to study and to understand reaction that Joost A. M. Meerloo talks about. This is the only way we stay free. This is the only way we survive as a species on planet Earth because do you really think demigods like Trump, Putin, and the others really care about your freedoms, about your economic security, about the planet. If you really think they do, well, you’ve been successfully indoctrinated and are riding the barge to the end of the world

Archetypal Animations

Images made on Genolve AI image generation options.

Feature Archetypal Animation

Music: The Baroque Ball (From “Cruella”) [Instrumental] — Roxane Genot

Second Archetypal Animation

Music: Poached Egg – The Namby Pamby

Third Archetypal Animation

Music: Stream Of Consciousness — Coherent Energy

Fourth Archetypal Animation

Music: We Don’t Need No Education — Regent Street

Fifth Archetypal Animation

Music: The Chain (cover) — Marvel Years

Sixth Archetypal Animation

Music: I’m God (Best Part Looped) — Crystalline

Satan’s Sister & Santa Claus

Field of Souring Souls

Satan’s sister slithers through fields of drying, souring souls…

Satan’s Sister | Music: Dance with the DeadMoon Runner | Images: girl pyramid head; Pyramid head woman on the field; Lady Pyramid Head (Cassandra W); Sorceress/Witch

Sundering Sinners

Seeking sinners to pluck and pulverized into a poison…

Hel Feasts Tonight | Music: Al Bid-Aya — Jedi Mind Trick | Images: HEL goddess of by LeneMa7991; Morrigan, Goddess of Death; Hel- The Norse Goddess of Death; Morrighan – Celtic Goddess of Death; Delire- Goddess of the Fallen

Santa’s Spiked Glögg

That she uses to spike Santa’s holiday Glögg.

Santa’s Spiked Glögg | Music: Evil Christmas Carols (Panda Smash Presents). Sean Wesche. Album. 2006. | Images: Santa Claus Having a Christmas Drink (Free Photos); Dumbledore (The Ending Of Harry Potter And The Half-Blood Prince Explained); Albus Dumbledore (Michael Gambon) suffers in excruciating pain (Division and Disloyalty: Ignoring Our Friends’ Wishes – and Our Own); Albus Dumbledore, the headmaster of Hogwarts School of Witchcraft and Wizardry, played by Richard Harris
 (Warner Brothers); Smashed Santa Claus (Too Much to Drink)

Archetypal Image Analysis

First Archetypal Image:

Is Satan’s sister good or bad?

Your answer is unique and utterly up to you based on your attitudes, beliefs, upbringing, and current circumstances. At first, as I searched for images of what Satan’s sister might look like, I had no idea of what I might be looking for.

I wondered whether she should look ugly like a wicked witch, gender neutral, or bewitchingly beautiful.

I stumbled upon Félicien Rops (a Belgian artists who lived between 1833 – 1898) finding his uncanny image of Satan. I found it on a poetry website and immediately thought–sure this could be what Satan’s sister looks like–sinister, sterile, and scary.

Satan Semant l’Ivraie’ – Félicien Rops (Belgian, 1833 – 1898) | National Gallery of Art

I felt I was definitely on the right track, but sought a clearer image. As I searched for one, I stumbled upon Pyramid Girl. I knew at once this was a better rendering of Satan’s sister. She is beguilingly beautiful and utterly alien at the same time–a spine-chilling duality exists about her.

Then, I found another Pyramid Head Woman in a field. This was the next line of my poem, which sealed the deal this was the image I was searching for.

Pyramid head woman on the field [1920 × 1080]

I have never encountered Pyramid Woman before, but obviously she is well-known by others and depicted as a victim and an invincible warrior. I felt this duality was another key aspect to be embodied by Satan’s sister. I found two more images embodying these qualities created by an artist at the Stan Winston School of Character Art. Here I learned her apron is made of human skin, very creepy indeed and a perfect outfit for Satan’s sister.

The last image used in the archetypal animation just grabbed me. I suppose it is all the gold and skeletons. Satan’s sister would certainly be involved in collecting the dead. She would also be a devilish seductress–beautiful and scary at once.

Sorceress, witch, art, skeleton, golden, stairs, yannick bouchard, woman, fantasy, mayan, girl, skull, HD wallpaper

So this is the process for how the first archetypal animation was created.

What does it mean?

That is something for you to fill in.

During his life, Carl Jung came to understand all human beings share common archetypal patterns of behavior and belief as demonstrated through customs, rituals, and myths. Certain recognizable psychological patterns and images appear over and over again between cultures and times. They live deep inside the psyche of all human beings and contain collective memories that pop into action when of specific circumstances and situations are encountered. They act much like instincts do, but archetypal patterns are more like instincts altered by consciousness.

Jung described archetypes as empty templates ready to be filled by the psychic forces triggered into action by external events. These invisible templates provide imprints of all the possibilities and consequences of choices and actions triggered by the situation.

The music for this archetypal image provides vital context and background like a fantastic fabric for space-time beings to experience things. This music is fabulous, providing texture, vibrance, and life to the image. It is Moon Runner by Dance With the Dead.

DANCE WITH THE DEAD — Moon Runner | 76,253 viewsMar 1, 2014

Second Archetypal Image:

Does she sunder souls for pleasure?

Again, the answer is up to you.

In creating this image, my search took me into the realm of mythic goddesses. It did not take long to understand many of the goddesses associated with death carry the blade of time with them. Death is inevitable as a mortal being and the goddesses associated with death embody this reality.

The Goddess Kali is the Divine Mother in Hinduism and known to be fierce and cause destruction of all evils, including ignorance. She is considered to be the master of death, time and change. When I found this image of Morrighan, my search focused in on the Celtic and Nordic goddesses of death.

Morrighan — Celtic Goddess of Death

“Morrighan is also known as Phantom queen or Morrigu. In Irish mythology, she is known as the Goddess of Death, who is associated with mainly war, battle, and death. She is also famous because of her foretelling death in the battle. Because of her association with war and battles, she is also known as a great warrior who determines which warriors walk off the battlefield.” — 21 Gods & Goddesses of Destruction, Death & Underworld

Hel is another goddess of death rising from the myths of the Nordic peoples.

Hel — The Norse Goddess of Death

“She is the ruler of the underworld and death. She is the daughter of Loki and Angrboda. Her appearance is pretty hard to explain, but it is half blue and half flesh-colored with some gloomy texture downside. She has a hall called Eljudnir, and it is a strong belief in Norse Mythology that it is the hall where mortals go who do not die in battle but of natural causes or sickness.” 21 Gods & Goddesses of Destruction, Death & Underworld

This is another compelling rendering of Hel drawn by LeneMa7991.

Germanic Gods: HEL goddess of death

And this is another depiction of Morrigan that I found on the website of The Druid Way.

The Irish Morrigan, Goddess of Death and Guardian of the Dead

Another goddess of death I found was Delire. She is not the goddess of Death in general, but instead the goddess of the Fallen, much like the valkyries of Norse mythology.

Delire | “You have served well soldier. It’s time to retire.”

Back to the Eastern Mind

The last element of the archetypal animation is the music, which circles us back to the eastern mind and the wisdom of the upanishads that are treatises on Brahman-knowledge, which is knowledge of Ultimate Hidden Reality. I chose the song Al Bid-Aya by Jedi Mind Tricks from their album The Bridge and the Abyss. It is haunting and beautiful and utterly perfect for this topic if you listen to their official video of this song.

Al Bid-Aya | 122,715 views, Jun 21, 2018

Third Archetypal Image:

Why is Santa’s Glögg spiked?

For the third archetypal image, I baffled myself with its own imagery. Why is Santa popping into this otherwise dark and haunting poem? And why is Satan’s sister spiking his holiday Glögg with the broken up bits of sinners?

Perhaps Santa is serving somewhat like a cosmic hero of goodness and good cheer. He has so much of it, he is able to consume dangerous amounts of collective sin down to the dregs on behalf of all of us to ease our misery and allow for a time of good cheer. This though made me think of Dumbledore who drank the poisoned water so Harry could destroy a ‘horcrux’–a thing of great evil that if not destroyed would led to the downfall of everyone they know and love.

This last archetypal animation is the most elusive to take accounting of for it veers straight into the Christmas season–a time when many people make a considerable effort to show a spirit of good cheer and collective good will. Why? Because it is a time when Christians celebrate the birth of Jesus; however, as an excellent Washington Post article points out, ‘Dec. 25 is not the date mentioned in the Bible as the day of Jesus’s birth; the Bible is actually silent on the day or the time of year  when Mary was said to have given birth to him in Bethlehem. The earliest Christians did not celebrate his birth.

This article further states the first celebration of Jesus’ birth took place ‘around 200 A.D. — to have taken place on Jan. 6. Why? Nobody knows, but it may have been the result of “a calculation based on an assumed date of crucifixion of April 6 coupled with the ancient belief that prophets died on the same day as their conception,” according to religionfacts.com.’

It was moved to December 25 to piggy back on pagan celebrations (such as “The Golden Bough”) that occurred during this time. Especially as practiced by the fierce and wild tribes of northern Europe–the Celtics, the Norses, and many other germanic tribes who celebrated the shortest day of the year, which signaled the return of light to their barren and frigid northern lands.

Good Olde St. Nick

Christmas underwent a further transformation with the elevation of St. Nicholas as a patron saint of Christmas. He was a real man, a Bishop, who lived in the fourth century in a place called Myra in Asia Minor (now called Turkey). He was known for helping the poor and giving secret gifts to people who needed it.

Image from the St. Nicholas Center | www.stnicholascenter.org | The Man Behind the Story of Father Christmas/Santa Claus

Christmas took another dramatic turn with the popularization of Santa Claus as the legendary man who encircles the world in one night flying in his sleigh to give good boys and girls around the world presents and delights. Holiday specials such as Santa Claus Is Comin’ To Town, which showed the transformation of the real man St. Nicholas into the superhero Christmas giver of cheer and goodwill worldwide.

Santa Claus Is Coming!

It is a delightful Christmas story. One I watched every year as a child for Christmas just wouldn’t be Christmas without Frosty, Rudolph, and Santa Claus!

Santa Claus Is Comin’ to Town — The Full Movie | 7,476,556 views

So what is up with this spiking Santa’s tea with the broken up bits of sinners, obviously people who were not on Santa’s Good List to get toys and presents at Christmas time.

Santa and Dumbledore

Is this image referring to the self-sacrificing ability of some individuals who are capable of far more good deeds than the rest of us to ease our burden for a time?

This idea reminded me of Dumbledore drinking the poison water so Harry could destroy another ‘horcrux’. Perhaps Santa and Dumbledore represent a certain type of individual, or better yet, these characters are archetypes of a powerful curative force that lives inside of us and allows a human being to endure pain and suffering, even unto death, for the good of others.

This seemed to be on the right trail and so the images I found included these.

Image from Freepik: Santa having a drink

This definitely could be Santa enjoying a holiday Glögg left out for him. Then, images of Dumbledore to establish the connection between the two.

Albus Dumbledore, the headmaster of Hogwarts School of Witchcraft and Wizardry, played by Richard Harris
 (Warner Brothers) | JK Rowling defends Dumbledore on Twitter: Seven things you might not know about the Hogwarts headmaster — A look beyond the half-moon glasses at the Harry Potter franchise’s most enigmatic character
Image BY SYDNEY BAUM HAINES/JUNE 15, 2021 10:05 PM EST | The Ending Of Harry Potter And The Half-Blood Prince Explained

The Purpose of the Poison

And of course Dumbledore drinking the poison, which turns out to be the most important image and article of everything explored here.

Image from: Division and Disloyalty: Ignoring Our Friends’ Wishes – and Our Own | Featured image: Albus Dumbledore (Michael Gambon) suffers in excruciating pain in Harry Potter and the Half-Blood Prince (2009) as he swallows the harmful potion he made himself drink. ‘This potion might paralyse me, might make me forget why I’m here, might cause me so much pain I beg for relief. You are not to indulge these requests. It’s your job, Harry, to make sure I keep on drinking this potion, even if you have to force it down my throat.’ Like Dumbledore, we make promises which we go on to contradict, creating fascinating ethical dilemmas for those around us. (Warner Bros. Pictures)

This article, Division and Disloyalty: Ignoring Our Friends’ Wishes — and Our Own that was written by James Clark Ross and published 21 April 2020, is what my psyche was trying to convey to me as I assembled the final animation for this very short and not very good poem. He writes:

We like to think of ourselves as unified agents. With apparent clarity, we take ownership of who we are and the decisions we make. But we are misled. Clarity assumes consensus; and, underneath ‘ourselves’, motivations divide us.

Of our conscious thoughts, we form beliefs which immediately retreat, dematerialise, or mutate beyond recognition into new tokens. Of our unconscious desires, feelings pass by and vanish, having never really existed. Who we are—what we believe and what we desire—is unstable, uncertain, and transient.

This is troubling. For how can we be sure that one part of ourselves persists through time? We can only claim who we are on unsteady ground.

More, are we in conflict? If we don’t coordinate our motivations with unity, disloyalty will always be within us: we will always be fighting ourselves.

Who will your friends side with?

Welcome to a lesson on division and disloyalty.

Division and Disloyalty: Ignoring Our Friends’ Wishes – and Our Own

by James Clark Ross, 21 April 2020

Who Are We Really?

Clark is getting at the division raging inside of ourselves. Jung also spoke of this inner divide saying:

The greatest sin is to be unconscious.”

— C.G. Jung quotes from Quotefancy.com

Our world is very complicated and most of us are taught to operate in it like very small, spoiled children. We are taught to not question the system but to go to work at nine, come home at 6, squeeze all the housework, time with children, spouse or friends into 4 or 5 hours, go to sleep, wake up and do it again. Why? So we can be good consumers for the system that we must depend upon to sustain us or else we can’t go on.

But should we really want to go on? Is our current system of a modern life really so great? Is it so glorious and so out-of-this-world that we are willing to commit to most of our adult life to being good and obedient consumers? Is that what we really want?

Alan Watts often posed this question, what do you really want? Do we really want to play the social games of who is the boss, who can have more and who should have less, going to work at places that are mind numbing and super boring only to get laid off when we get too old or its not convenient (Nomadland captures this reality brilliantly).

NOMADLAND | Official Trailer | Searchlight Pictures |7,704,318 viewsDec 14, 2020

What Do We Really Want?

For most of us living in modern Western societies, we wake up one day (at the far end of 50 something) and realize–my life has been a great big drag.

Dopedreamz & Alan Watts – Life’s A Drag ft. Ty and Nick Swan | 179 views, Jul 1, 2013
Happiness is NOT the Meaning of Life – Alan Watts | 1,183,376 views, Feb 27, 2018

If we ever wake up, we may realize we’ve been consuming and entertaining ourselves to death. Thus, the passed out Santa Clause by the fire place.

Image from People are leaving Santa milk over traditional sherry because he’s changed his ways

The final element of this archetypal animation, a musical piece with a diabolical edge –the Evil Christmas Carols.

Frosty’s Death March | 179 viewsOct 28, 2015

Nevertheless — Please Have A Very Happy Holidays However You Celebrate

And know it’s never too late…

A Christmas Carol 2009 Christmas Day Scene | 162,224 views, Jul 1, 2019