Memory Wars: How Society Fails to Deal with Sin

Following are a few things that caught my attention this week, especially since they are relevant to what I am writing about in my novel about the role of consciousness and modern cultures. The first thing is Memory Wars. It is a six-part podcast exploring how society confronts sin. I only heard one episode, but it got me thinking deeply about how societies fail to deal with sin.

Memory Wars: A podcast exploring how society confronts sin

I heard S1E2: The Two Reconstructions that explores the similarities and differences between the Reconstruction that happened in the U.S. after the Civil War and the one that occurred in Germany after WWII.

America’s Antebellum Period

The biggest difference between the two Reconstructions is that after the U.S. Civil War (April 12, 1861 – April 9, 1865), there was no outside agent to oversee the period of Reconstruction following the demise of the Antebellum Period. Countless reparations and services were needed to repair the damage inflicted on nearly 10 million slaves alive at this time.

Between 1525 and 1866, in the entire history of the slave trade to the New World, according to the Trans-Atlantic Slave Trade Database, 12.5 million Africans were shipped to the New World. 10.7 million survived the dreaded Middle Passage, disembarking in North America, the Caribbean and South America. And how many of these 10.7 million Africans were shipped directly to North America? Only about 388,000. That’s right: a tiny percentage. -- How Many Slaves Landed in the U.S.?
by Henry Louis Gates, Jr. | Originally posted on The Root

Slavery started in Jamestown Colony, the founding county of the British Empire in North America. It is also the founding colony for the soon to be United States of America. Slavery grows into a brutal industry that lasts for more than 200 years allowing white men to make tremendous profits and becomes the basis for how the economy works in the United States.

America’s Reconstruction Era | Brief & Incomplete

More than 200 years of slave-based industry has made Americans deeply unwilling to confront the brutal realities of being a nation built by slaves and founded on slave-based economic models. America’s Reconstruction barely got started before it was shut down. America’s Reconstruction era lasted only from 1865 to 1877.

After this, any positive steps made during this very short time were quickly turned around by Jim Crow laws, which quickly crippled and reversed gains made by recently released slaves.

America still hasn’t reckon with its brutal history, racist culture, and slave-based industry specifically designed to make business owners and shareholders rich while keeping ordinary workers poor.

The US has intentionally engineered extreme inequalities and injustices into its systems of governance and business. They are written into laws and US constitution. They are meant to elevate white people above all other people.

There are many white people alive right now who feel they are engaged in a life and death battle to maintain these laws. These individuals are willing go to great lengths of hypocrisy and false piety to justify their sin. Some are willing to die for their beliefs and attack the Capital and Congressmen and women who do not believe like they do.

We’ve been here before. It doesn’t end well. Sin never does.

First Archetypal Animation | Justifying Sin

First Archetypal Animation: What they said they were doing…. What they really did… Justifying Sin | Music: Memory Streams | Portico Quartet | Immediately Visible

Germany’s Reconstruction

In Germany after WWII, the U.S. led Reconstruction efforts.

On April 3, 1948, President Truman signed the Economic Recovery Act of 1948. It became known as the Marshall Plan, named for Secretary of State George Marshall, who in 1947 proposed that the United States provide economic assistance to restore the economic infrastructure of postwar Europe. -- The Marshall Plan (1948)

These efforts included exposing euphemisms Nazis used to mask their antisemitic and racial laws. Nazis did the same thing writing their sin into the German laws and policies. The Nazis were high on their brutal beliefs and worked like steamrollers to implemented their hellish vision in the lead up to WWII. Their fiendish frenzy included:

The 1933 “Law for the Restoration of the Professional Civil Service” forced Jews and political opponents of Nazism out of Germany’s expansive civil service. 

Jurists wrote and enforced laws removing Jews from public service, set their own racialist view of Jewish identity with the “Nuremberg Race Laws,” and eventually enforced laws disenfranchising, despoiling, and ghettoizing German Jews.

A large percentage of the planners of the Holocaust came from the judiciary. Men from the security apparatuses, ministries, and civil services—those groups Hannah Arendt described as “desk murderers” (Schreibtischtäter)—overwhelmingly came from the legal profession, marking just how much every step of the judicial process from training to the highest courts was active in the Nazi regime. -- The Reconstruction of Justice in Post-Nazi Western Germany; article on the continuities of German law and the jurists who spoke out against an authoritarian justice system. 

August 11, 2021

These efforts were laid bare to make Germans reckon with their sin. Lots of Nazis were put on trial, indicted, and executed or imprisoned.

Denazification did not end there. Ordinary German citizens were made to watch Hollywood movies that showed the atrocities committed by the Nazis and drove home the role complacency by ordinary Germany citizens played in the horrors of the Nazi War Machine.

Germans had to watch these movies to receive food or other relief items. German citizens also had to fill out questionnaires that determined the level of their Nazism and this determine what kind of work they were allowed to do.

Denazification of Germany

This video provides a good recap of the positives and negatives of German Reformation efforts.

And it details the differences between what happened in West Germany (implemented by Western Allies) and East Germany (implemented by Russia under Stalin). It brings viewers right up to our current era where the lure of authoritarian governments is looming large again in the minds of so many “modern” people and neo-Nazis are on the rise around the world.

Denazification of Germany after World War II – Cold War Documentary

It is hard not to compare Putin’s outrageous claim that he is Denazifying Ukraine with the speech Hitler gave to the German people just before he invaded Czechoslovakia. He told his people he was reclaiming and reuniting the Deutschland, German speaking parts of Czechoslovakia.

Getting no push back from the rest of Europe, Hitler went on to invade Poland, France, Russia…and ultimately he would have invaded the world if we would have let him.

There is a direct line that needs to drawn by lies Hitler, Stalin (yes, this man was evil), and Putin tell about what they are doing or did. What they are doing is shining their warped beam of beliefs and focusing it into death and destruction.

In other words, these men are sin makers... they are creators of Hell on Earth. They are creatures who are far more deadly and dangerous than any dinosaur.

They are are monsters, not men.

Second Archetypal Animation | The Same Beast

The Same Beast | Music: Hey Putin! Go Fuck Yourself! | WiT | [1] Hey Putin! Go Fuck Yourself!    3:53

Germany faced its horrible past. Can we do the same?

Shortly after the National Museum of African American History and Culture opened in 2016 on the National Mall, I was speaking to some patrons of a successful nonprofit about the importance of candid racial dialogue in politics and in the places we live, work and worship.
One of the participants had recently toured the museum and had a pointed question. Why, she wondered, were all the exhibits that visitors first encounter dedicated to slavery? Among other things, she was referring to a reconstructed cabin built by former slaves from Maryland and a statue of Thomas Jefferson next to a wall with the names of more than 600 people he owned. “Couldn’t the exhibits begin with more uplift?” the woman asked, arguing that Black achievement was more worthy of the spotlight. She suggested that the museum should instead usher visitors toward more positive stories right from the start, so that if someone were tired or short on time, “slavery could be optional.”
Her question was irksome, but it did not surprise me. I’d heard versions of the “Can’t we skip past slavery” question countless times before. Each time serves as another reminder that America has never had a comprehensive and widely embraced national examination of slavery and its lasting impact. Yes, there are localized efforts. But despite the centrality of slavery in our history, it is not central to the American narrative in our monuments, history books, anthems and folklore.

Third Archetypal Animation | How America Just Keeps Justifying Sin: Make America Backwards Again

People Get Use to Anything…After A While People Just Think Oppression is the Normal State of Things” — Make America Backwards Again | Music: Jim Crow the Musical Add-2 | [16] Slave Awareness Skit
There is a simple reason: The United States does not yet have the stomach to look over its shoulder and stare directly at the evil on which this great country stands. That is why slavery is not well taught in our schools. That is why the battle flag of the army that tried to divide and conquer our country is still manufactured, sold and displayed with defiant pride. That is why any mention of slavery is rendered as the shameful act of a smattering of Southern plantation owners and not a sprawling economic and social framework with tentacles that stamped almost every aspect of American life. -- The Opinions Essay: Germany faced its horrible past. Can we do the same? By Michele L. Norris
JUNE 3, 2021

Locked Up: The Prison Labor That Built America’s Business Empires

This episode is presented by Reveal and shows how the American south quickly shut down Reconstruction and reinvented slavery by using the prison system as a new slave labor force. Before the US Civil War, less than 8% of people in prison were black. During the rise of Jim Crowe era and the prison industrial system that rose to replace slave labor, the new of black people locked up skyrocketed to over 75%. Most were incarcerated for petty crimes and sentences to hard labor for months and years. Some would not survive.

Fourth Archetypal Animation | Locked Up — How Jim Crow Created the New Slave Labor

If you live long enough, you get to see things repeat themselves.” | Locked Up: Prison Labor that Built America’s Business Empires | Music: Jim Crow the Musical | Add-2 | [1] Welcome to Jim Crow  
Companies across the South profited off the forced labor of people in prison after the Civil War – a racist system known as convict leasing.
After the Civil War, a new form of slavery took hold in the US and lasted more than 60 years. Associated Press reporters Margie Mason and Robin McDowell investigate the chilling history of how Southern states imprisoned mainly Black men, often for minor crimes, and then leased them out to private companies – for years, even decades, at a time. The team talks with the descendant of a man imprisoned in the Lone Rock stockade in Tennessee nearly 140 years ago, where people as young as 12 worked under inhumane conditions in coal mines and inferno-like ovens used to produce iron. This system of forced prison labor enriched the Tennessee Coal, Iron & Railroad company – at the cost of prisoners’ lives. 
At the state park that sits on the former site of the Lone Rock stockade, relics from the hellish prison are buried beneath the soil. Archeologist Camille Westmont has found thousands of artifacts, such as utensils and the plates prisoners ate off. She has also created a database listing the names of those sent to Lone Rock. A team of volunteers are helping her, including a woman reckoning with her own ancestor’s involvement in this corrupt system and the wealth her family benefited from.   
The United States Steel Corporation helped build bridges, railroads and towering skyscrapers across America. But the company also relied on forced prison labor. After US Steel took over Tennessee Coal, Iron & Railroad in 1907, the industrial giant used prison labor for at least five more years. During that time, more than 100 men died while working in their massive coal mining operation in Alabama. U.S. Steel has misrepresented this dark chapter of its history. And it has never apologized for its use of forced labor or the lives lost. The reporters push the company to answer questions about its past and engage with communities near the former mines. 

Behind the Lie of Monopoly 

“We’re born into the world and think the world is simply the way we are born into it.” — One of the guests on Throughlin’s History of the Game Monopoly

Fifth Archetypal Animation | Monopoly…More Than A Game

Monopoly, So Much More Than A Game… If We’d Only See | Music: Master of the Game (Expanded Edition) | George Duke | [9] Part 1-The Alien Challenges The Stick/Part 2-The Alien Succumbs To The Macho Intergalactic Funkativity Of The Funkblasters

Monopoly is one of the best-selling board games in history! It was actually created to get people to think about real life monopolies and how they impact real peoples daily lives.

Most people just love to play Monopoly because it is fun, especially if you need a distraction from the stress and monotony of earning enough money to buy your daily bread.

How Monopoly has been marketed to us is probably why we often don’t notice the deeper messages embedded in the game.

In this episode of Throughline, the narrators explore the origins and history of Monopoly. It’s not what you think. In fact, it reveals how a critique of capitalism grew from a seed of an idea in a rebellious young woman’s mind who created this legendary game that celebrates wealth at all costs. But behind the legend, we’ve been told a lot of lies; one was the theft of a young woman’s brilliant idea.

There's more to Monopoly than you might think. It's one of the best-selling board games in history — despite huge economic instability, sales actually went up during the pandemic — and it's been an iconic part of American life at other pivotal moments: a cheap pastime during the Great Depression; a reminder of home for soldiers during WWII; and an American export during its rise as a global superpower. It endured even as it reflected some of the ongoing inequities in American society, from segregation and redlining, to capitalism run rampant. That's because Monopoly is also built on powerful American lore – the idea that anyone, with just a little bit of cash, can rise from rags to riches. Writer Mary Pilon, the author of The Monopolists: Obsession, Fury, and the Scandal Behind the World's Favorite Board Game, describes Monopoly as "the Great American Dream in a board game – or, nightmare." -- Do Not Pass Go (2022) | Throughline

Conclusion

We are responsible for noticing Sin. When we see it, we must name it. Sitting and watching from the sidelines is no longer an option.

We are responsible for paying attention to what is going inside and outside of our bodies.

If we misrepresent and falsify our sinful actions or fail to act to stop sin when we see it inflicted on others, we are whitewashing reality. This is sin and only leads us further down the road of turning Earth into Hell.

Feature Archetypal Animation

Image from: SEPTEMBER 4, 2018 | The Bible Condemns American Slavery
by Jesse Johnson
Image from: Why the West is morally bound to offer reparations for slavery |The Conversation

Music: Still Living In Slavery | Mr Raoul K | [1] Dounougnan Magni – Intro    2:41


First Archetypal Animation

Image from: Uncle Tom’s Cabin as a Religious Text
BY PATRICIA R. HILL, DEPARTMENTS OF HISTORY & AMERICAN STUDIES, WESLEYAN UNIVERSITY
Image from: Why the West is morally bound to offer reparations for slavery
This cartoon, “The Modern Mercury” by Jerry Doyle, appeared in The Philadelphia Record, December 7, 1935. 
Image from: World War II: The Holocaust | ALAN TAYLOR |  OCTOBER 16, 2011 | The Atlantic

Music: Memory Streams | Portico Quartet | Immediately Visible


Second Archetypal Animation

Image from: Canada in WWII | Adolf Hitler
Image from: The image of Stalin in the Soviet art
Image from: Tinker Tailor Soldier Hacker: The Russian Factor In the DNC Email Scandal | Wilson Center

Music: Hey Putin! Go Fuck Yourself! | WiT | [1] Hey Putin! Go Fuck Yourself!   


Third Archetypal Animation

Image from: Germany faced its horrible past.
Can we do the same?
— Washington Post

Image from: Swiggity the Single

Other images from January 2022 and 2021 blogs.

Music: Jim Crow the Musical Add-2 | [16] Slave Awareness Skit   


Fourth Archetypal Animation

Image from: Locked Up: The Prison Labor That Built Business Empires
Image from: Locked Up: The Prison Labor That Built Business Empires | Look at the one black man sitting on the ground surrounded by white men with guns who worked for Lone Rock stockade where the relics from the hellish prison are buried beneath the soil today.
Image from: Locked Up: The prison labor that built business empires in the South, including Tennessee by NewsChannel 9
Image from: Locked Up: The prison labor that built business empires in the South, including Tennessee by NewsChannel 9
Image from : In the galleries: Gordon Park’s photos from the Jim Crow-era South — Washington Post
Image from: Jim Crow in Florida — Florida Humanities

Music: Jim Crow the Musical | Add-2 | [1] Welcome to Jim Crow    1:11


Fifth Archetypal Animation

Play Board Game Monopoly Money Trade Hobby | pcdazero | Gianni Crestani  •  Age 58  •  San Bonifacio/Italia  •  Member since Jan. 28, 2012

Dog Top Hat Pet Canine K9 Dressed Up Puppy | Prettysleepy | Amy  •  USA  •  Member since July 24, 2016

Monopoly Monopoly City Los Excavator Pewter Token | dboschm | Deutsch  •  Member since April 10, 2013

Monopoly Money Power People Rich | GDJ | Gordon Johnson  •  USA  •  Member since June 3, 2015  •  #4

Monopolies Puglia Church Chiesadelpurgatorio | magrimax | massimo magri  •  Age 64  •  pescara/italia  •  Member since July 27, 2018

Monsters Are Made

We Make Monsters in our Heads

It is a few days after Halloween, and monsters seem to fit the season and the times we live in right now.

A few days before Halloween, I heard an interview on It’s Been A Minute called Our Undying Cultural Obsession with Vampires. And this got me thinking about monsters and how they are made.

In this interview, Kendra R. Parker, who teaches a class at Georgia Southern University about Black vampires in film and literature, discusses the long, sordid history of monsters, especially vampires, and our collective obsession with them.

It is she who said monsters are made. Think Frankenstein, definitely constructed by a human.

And we do this all the time…in our heads simply repeating the stories we tell ourselves that create indelible images, which we then project onto the world we live in. Or better said, the world we wish we lived in.


The Planet We Made

Cover of Time Magazine : The Planet We Made — The Planet We Need — Social Sculpture…How We Can All Participate in Protecting and Seeing Earth Anew — Artwork by Olafur Eliasson

Olafur Eliasson is an IcelandicDanish artist known for sculptured and large-scale installation art that employ elemental materials such as light, water, and air temperature to enhance the viewer’s experience. He designed the cover of Time this month to highlight our collective climate crisis that will affect and impact everyone on Earth. Rich or poor, everyone will pay a huge price for further dithering and delaying on taking immediate action Now.

Olafur tells Time to create the effect on TIME’s cover, he employed a technique called after imaging. By following the instructions on the cover, when the page changes, your eyes re-imagine our overheated planet in the healthy vibrant greens and blues we, the human race, were born into and began our journey as a species through time.


The Monsters We Make

This same elusive after imaging takes place inside our minds. The images that get stored inside our minds are created by the stories we tell ourselves and the images we consume as ordinary citizens.

These images, let’s call them cultural images, are stored in our minds as belief systems. Beliefs are vastly more complicated images than the one created by Olafur Eliasson for the cover of TIME. However, compared to reality, beliefs are pathetic and paltry.

Belief systems tend to leave far more outside (the evil other) than inside (the person who sees the the world like you do). All of us adopt and cultivate belief systems. They help us know who we can trust. And, they help us survive by acting as short cuts to reality.

By popping your beliefs into a situation, you can just get down to action. Or really reaction to a situation because beliefs allow you to skip the work of hard thinking, critical analysis, and feeling into what you are actually experiencing.

Systems of belief are informed by the families we grow up in, the cultures we live in, and the religions we participate in (or do not participate in). Systems of belief are further evolved and informed by friends, peers, teachers, clubs, politics, and media, among many other sources.

Whether you accept the stories and images imparted to you through these systems, whether you believe them or you don’t believe them, beliefs about how the world is or isn’t are formed and held in the mind very much like the phantom image Olafur Eliasson created on the cover of TIME.

Each and every belief are things you have choose to accept, to believe, and to store in your head. You choose to believe the things you think are true or what you don’t believe or believe to be not true, regardless of whether they are empirically true or not true.

Once you commit to a belief (in other words you swallow an idea hook, line, and sinker), it creates an indelible image of how the world is, which gets overlay onto everything you do and everyone around you. Very much like the elusive image Olafur Eliasson made for the November 2022 cover of TIME. You put them there, and then you project them on the world.

Beliefs are more likes wishes, fears, and desires. They accord with more how we want the world to be rather than how it really is. Our wish/fear/wants live inside our minds and are projected on the world every moment of our lives. They hoover and cling to everything and everyone we come into contact with like a ghostly aura. Depending on what our projected system of beliefs tells us we should believe about a person or a thing that comes into our narrow bandwidth of focused conscious attention, aligns our actions and behavior in the world.

This rather simple ability has oversized implications–some good, some bad. It is an ability that we take for granted as human beings. Our ability to create systems of beliefs is a form of ignorance (ignorance, what we choose not to see) and it has gotten the better of us. It is what allows us to turn ordinary human beings into monsters or our world into a wasteland.

Kendra R. Parker explains our creation of and fascination with monsters this way:

When Dracula appeared in the 19th century, there was all of this fear, the English were preoccupied with borders, boundaries and nationalism. Between like 1881 and 1900 there was an increase in the number of non-English Jewish people. There was this xenophobia, this fear of Jewish people, this sort of threat of external colonization. And so these fears about the threatening outsider, who is going to come in and disturb the national pure body, finds its way into Bram Stoker's Dracula. 
And if we come to the United States in 1898, we have newspaper images popping up out of North Carolina that depict Black men as vampires because there was this fear of Black men. There's this fear of black men being in politics and so that if you got black political power, then they're going to take over and destroy white women and all of that. And so you've got all of this propaganda. 
And there are two images in particular. One is called "The Vampire that Hovers Over North Carolina." It appears in 1898, and it's a Black male vampire coming out of a ballot box. And there's another image that same time period in North Carolina where you got vampires coming out of the grave to vote and they're Black. And so there's this fear that if you let these monsters vote, they will take over and destroy our way of life.
Image From: Southern Cultures: A War in Black and White: The Cartoons of Norman Ethre Jennett & the North Carolina Election of 1898

The Monsters We Are

When we use our system of beliefs to turn other human beings into monsters, it is ourselves who become the monster. When hate becomes our fuel, then the transformation is complete. The monster has been made.

It is a way of being in the world that leads to Hell. It is the path of destruction, of mayhem, and of death.

It is a way of being in the world that may begin by being suspicious, distrustful, and skeptical. But it can quickly eclipse who you think you are and make you into a person who takes pleasure in being cynical, ghoulish, grisly, and grotesque.

Such a journey is often summed up by the popular phrase — Take The Red Pill. This means a person that falls down a rabbit hole. They start out innocently following juicy breadcrumbs of gossip and plausibly outrageous happens that grow ever more implausible. But once you get hooked on these toxic breadcrumbs carefully left behind by Master Manipulators who are experts in making the implausible sound plausible. Indeed, the Truth that you are willing to die for.

Accused Pelosi Attacker Told Police He Was On A ‘Suicide Mission’

How To Make of a Monster

Step 1) Chop the world into absolutely good and absolutely evil, then choose a role to play in this absolute drama (it goes without saying that whatever side you play on… that is the righteous side, the good guys, the side that is going to slay absolute evil)

Step 2) Select a Mask for the role you will play in the absolute drama to rid the world of absolute evil (make sure you are the Super Hero of your story and everyone else is the bad guy)

Step 3) Strap Your Mask Tightly To Your Face So It Doesn’t Slip or Fall Off (you don’t want anyone to see you are merely human like the people and other living beings you are dehumanizing)

Step 4) Cut Up Bits and Pieces from the World and Other Stories, Then Mash Them Into Your Mask So You Become Unrecognizable Like Camouflage (it doesn’t matter if the bits and pieces make sense anymore, you are creating your super hero version of yourself!)

Step 5) Add Lots of Layers to Your Mask, Be Sure to Use Lots of Devilish Deceit and Deception, More Camouflage to Help You Better Play Your Role (God forbid anyone recognize that you’re really human behind your Fake Persona)

Step 6) Distort, Deform, and Mangle Your Mask to Create Fantastic New Levels of Distractions and Illusions, Even More Camouflage… Fighting Evil Isn’t for Sissies (this will draw others to you — your followers, your zombie army)

Step 7) Forget You Are Wearing A Mask: Now You Are A Monster

Image From: Metaflesh by Evan J. Peterson

I have not read this book, Metaflesh. But, the image of the cover is captivating. To me, it perfectly captures how we can turn ourselves into monsters using any system of belief, any one at all. In the land of make believe, nothing is sacred. Once we slip down a rabbit holes inside our minds, the inner Hellish landscape allows us to endlessly violently project onto others what we cannot admit to ourselves that we are.

This is a book review of Metaflesh from where I got the image:

Metaflesh is written by Evan J. Peterson, author of The PrEP Diaries: A Safe(r) Sex Memoir and DragStar!,  the world’s first drag performer role-playing game. Metaflesh is a book of verse and prose from the point of view of Frankenstein’s Monster. The reflections are inspired not only by Mary Shelley’s seminal work (double entendre fully intended) but also by the pop culture descendants of her novel. Sources include a wide variety of Frankenstein/mad scientist movies and song lyrics. The book also contains themes of Jewish folklore, queer culture, camp, and a lot of David Cronenberg-style body horror. The book covers the gamut of the Monster’s experiences through over a century of movies and songs, and portrays the Monster as both gender-fluid and a sort of chimerical film critic, reviewing portrayals of their self through lyric poetry and flash fiction.
This is an ingenious book of metafiction. Just as Dr. Frankenstein cut up different people and stitched the bits together, Peterson cut up and reassembled his sources, turning them into something greater than the sum of their parts. Borrowing from William S. Burroughs cut-up technique, he splices together Mary Shelley’s Frankenstein with F.T. Marinetti’s Manifesto del Futurismo (Futurist Manifesto) and with J. G. Ballard’s essay, “Why I want to F*ck Ronald Reagan.” He apostrophizes the sexually explicit films of avant-garde queer Canadian creator Bruce LaBruce and doesn’t forget to include General Mills’ Frankenberry breakfast cereal or select lines from Mommy Dearest and The Rocky Horror Picture Show.  The combined imagery of classical Greek mythology, white supremacy, drag queens, Judaism, and zombie erotica do not merge into a hot mess but meld together into a deliciously readable book.   
This literary retrospective is sad, funny, quirky, surgically precise, and captivating. I was never bored and didn’t skip through parts. I tore through my first reading at speed and have been taking my time through subsequent readings. The only spot which slows me down, pulling me to a frowning halt, is a simile in the poem, “His Name is In Me”:  “gross as the tallest savage.” Although I’m aware that white supremacist imagery is intentionally used throughout the book—punching up, not down—the use of the word “savage” feels out of place here. It is a racial slur used against Black and Indigenous peoples and stands out awkwardly in a poem strongly based in Judaic imagery. If it is a slur used against Jews, I am unaware, but this is my only quibble with the entire book.  -- Book Review: Metaflesh by Evan J. Peterson

Someone Once Told Me

Someone once told me that my blog The StoryTelling Species Series was just a story. He really just wanted to put it down and elevate himself because we were having a very strong disagreement about COVID. I knew he was wrong, but could not explain to him why he was so wrong then.

Now I can. I knew it is the stories we tell ourselves that make us into heroes or villains, good or evil, saints or monsters. Now I know how it happens inside our minds.

Given how susceptible we are to believe our own stories and lies about ourselves, it is best to give all other people the benefit of the doubt and trust they are not the monster you are afraid of… the one that lives inside of you. It is best just be human and to recognize that we have a little bit of good and a little bit of bad inside of us.

It is when we hang onto the evil inside of us and refuse to let go of it that we make ourselves into monsters and turn Earth into Hell. Trust that reality is far more interesting than the stories we tell ourselves about our selves and others.

Trust that you belong here and now with everyone else and that together we can heal ourselves. This is something we can only do together. And if we heal, Earth heals and our burning hot planet may once again shine in its brilliant, beautiful, life sustaining blues and greens!

Feature Archetypal Image

Graffiti Trump Melbourne Australia | ralfskysegel | Ralf Genge  •  Hannover/Deutschland  •  Member since July 23, 2017

Man Stylish People Putin The President Russia | Inactive account – ID 6964520

Devil Chaos Flames Hell To Burn Fire Inflamed | LeandroDeCarvalho | Leandro De Carvalho  •  Age 34  •  Cheyres/Suisse  •  Member since May 23, 2016

Image From: CNN SPECIAL REPORT: STEVE BANNON, DIVIDED WE FALL Reported by Drew Griffin & Free To Choose
Image From: Tahiti & the Thing | With that, the Old Lady Smiles | Gone, gone, Gone with the Wind
Music: We Are Monsters — Groundbreaking | [4] Fantasy    5:13

First Archetypal Image

Music: Earth — Lil Dicky[ 1] Earth   


Second Archetypal Animation

Music From: Vampire Movies Black Moon Lovers [5] Theme From Frankenstein    2:35

Third Archetypal Animation

Music From: Popular Monster — Falling In Reverse

UFOs No…But Unexplained Inner Phenomena, Yes!

Who doesn’t like UFOs?!

Think Close Encounters of the Third Kind:

Close Encounters of the Third Kind (2/8) Movie CLIP – Chasing the UFOs (1977) HD
261,453 views, Oct 7, 2012

Or ET:

E.T.: The Extra-Terrestrial (2/10) Movie CLIP – Getting Drunk (1982) HD
4,391,816 views, May 27, 2011

But Are They Real?

David Kestenbaum of This American Life says: U-F-No!

Not long ago, in an extremely rare moment of bipartisan unity, Republicans and Democrats came together to discuss UFOs, now called unexplained aerial phenomena or UAPs by the military. It is the first Congressional meeting on the topic since 1969.

Deputy Director of Naval Intelligence Scott Bray, left, and Under Secretary of Defense for Intelligence and Security Ronald Moultrie speak Tuesday during a House Intelligence, Counterterrorism, Counterintelligence, and Counterproliferation Subcommittee hearing on “Unidentified Aerial Phenomena” on Capitol Hill in Washington. Alex Brandon/AP — Image from NPR Report on Congress UFO Hearing

David listened into the hearing along with Mick West.

Mick West is a British science writer, skeptical investigator, and retired video game programmer. He is the creator of the websites Contrail Science and Metabunk, and he investigates and debunks pseudoscientific claims and conspiracy theories such as chemtrails and UFOs. Wikipedia

This short episode of This American Life is a curation of their discussion of the Congressional Hearing while they listened to military officials present a report to Congress that includes about 400 incidents, which is up from 143 assessed in a report released about a year ago.

Mick explained a lot of the unexplained aerial phenomena as camera artifacts such as these:

Scott W. Bray, the deputy director of Naval intelligence, told lawmakers there is no evidence of aliens, and they still haven’t uncovered anything “nonterrestrial in origin,” although there remain incidents they can’t explain.

That Doesn’t Mean They’re Not Real

Despite lacking physical evidence that proves the reality of UFOs (other than other explanations such as camera artifacts, mylar balloons, and contrails) that does not mean there isn’t something very real going on. Indeed, this unexplained phenomena is as old as man’s ability to articulate his experiences to others. What makes humans extraordinary on this planet is our shared ability to perceive and share physical reality through words, symbols, and ideas. Human beings also share the ability to perceive and make sense of inner realities. Indeed, mankind’s most spectacular ideas and inventions originate from this inner dimension of being.

Carl Jung is best known for his theories of the human subconscious and the idea he termed the Collective Unconscious. Through his practice as a psychiatrist, he came to believe humanity shares a subconscious mind that stores the memories of all human beings, dead and alive, that are available to us through images, visions, dreams, and other phenomena humans experience, especially at times of stress, trauma, life and death.

The notion of collective consciousness was put forward by Carl Gustav Jung (Image: Lightspring/Shutterstock) — Image from: Carl Jung and the Concept of Collective Consciousness

Jung wrote a book about UFO and paranormal phenomenon. Here are two summaries of this book:

While Jung is known mainly for his theories on the nature of the unconscious mind, he did have an interest in the paranormal. In this essay, Jung applies his analytical skills to the UFO phenomenon. Rather than assuming that the modern prevalence of UFO sightings are due to extraterrestrial craft, Jung reserves judgment on their origin & connects UFOs with archetypal imagery, concluding that they have become a "living myth." This essay is intriguing in its methodology & implications as to the nature of UFOs & their relation to the human psyche. -- GoodReads: Flying Saucers: A Modern Myth of Things Seen in the Skies

In the threatening situation of the world today, when people are beginning to see that everything is at stake, the projection-creating fantasy soars beyond the realm of earthly organizations and powers into the heavens, into interstellar space, where the rulers of human fate, the gods, once had their abode in the planets.... Even people who would never have thought that a religious problem could be a serious matter that concerned them personally are beginning to ask themselves fundamental questions. Under these circumstances it would not be at all surprising if those sections of the community who ask themselves nothing were visited by `visions,' by a widespread myth seriously believed in by some and rejected as absurd by others.--C. G. Jung, in Flying Saucers Jung's primary concern in Flying Saucers is not with the reality or unreality of UFOs but with their psychic aspect. Rather than speculate about their possible nature and extraterrestrial origin as alleged spacecraft, he asks what it may signify that these phenomena, whether real or imagined, are seen in such numbers just at a time when humankind is menaced as never before in history. The UFOs represent, in Jung's phrase, a modern myth. -- GoogleBooks Summary

Jung maintained throughout his life that man’s inner life, dreams, images, visions is real and carries a reality, a gravity that can be felt in our lives each and every day.

Sources for Images Above: Myth CraftsCarl Jung and UFOs: Ancient Alien Art – Myth Crafts; Brill[PDF] Judaism and the UFO; with Emphasis on the Vision of Ezekiel; Cambridge University PressTrauma, flying saucers and the art of Ionel Talpazan | Epidemiology and Psychiatric Sciences | Cambridge Core; Saatchi ArtUFO 0361, 2019, mixed media on canvas, 40x50cm Painting by Marc Jung | Saatchi Art; GoodreadsOwlseyes (O’Porto, Portugal)’s review of Flying Saucers: A Modern Myth of Things Seen in the Skies; Princeton University PressFlying Saucers | Princeton University Press

Reality Is Strange | We Need Inner Astronauts Now More Than Ever

Perhaps we need more inner astronauts willing and able to go where no man has gone before, equipped with abilities to chart our inner space, just as we do our outer space. Indeed, inner space may be far vaster than the universe, which may be a little phenomena of this vast inner space that we do not understand very much at all.

In a time of so much crisis, we need to learn how to better articulate inner weather and dangerous patterns just as we have learned to watch and predict weather patterns and identify dangerous patterns such as Hurricane Ian.

There have been many dangerous and horrible natural disasters this year, including devastating floods in Pakistan, acute heat waves and historically lower water levels in rivers throughout Europe, and increasingly bigger and deadlier fires worldwide (see 2022 International Wildfires: As of Sept. 8, the European Forest Fire Information System (EFFIS) estimates that within European Union countries, between 2 million acres and 2.1 million acres have burned).

There is also dangerous and deadly inner weather that is sweeping the world. It travels on currents of propaganda, misinformation, lies, and conspiracy myths. Hurricane Putin is meaning the entire world with his threats of nukes, sabotaging his own pipeline (a play he used to get into power when he had apartment buildings blown up and blamed it on Chechen separatists), and the death, destruction, and torture of Ukrainians. His maniacal invasion of Ukraine rides on his strangle hold on power in Russia allowing him to infect and propagate a collective homicidal psychosis among his people. His and other strong arm actors in our world are distracting us and contributing to our collective failure to mitigate climate change while we still can.

Can you tell which pictures that are Putin’s hurricane of devastation and death and which are Ian?

Images above from: Sky NewsUkraine war: Images taken by Sky News team reveal devastating aftermath of war | World News | Sky News; Tampa Bay TimesAbsolute devastation’: Hurricane Ian decimates Fort Myers Beach; ABC NewsWhat’s the cost of damage to Ukraine’s infrastructure amid Russia’s invasion? – ABC NewsVisit; The Sun DailyRescue efforts continue as Florida takes stock of Hurricane Ian devastation; BBCUkraine war: Images reveal scale of destruction in Mariupol – BBC News; The News-PressAerial video shows devastation on Fort Myers Beach after Hurricane IanWatch… on Friday, Sept. 30, 2022; USNews.comRussian Carnage, Destruction Revealed in Newly Liberated Ukrainian Territory; southernminn.comIan lashes South Carolina as Florida surveys devastation | State | southernminn.com; University of Nevada, RenoUkraine, horror of the past, terror to the future | University of Nevada, Ren; Charisma NewsSharks in the Streets, Houses Floating Away as Ian Leaves Mass Devastation — Charisma NewsVisit; Common DreamsCivilians ‘Paying the Highest Price’ for ‘Utter Devastation’ of Ukraine: UN Official; Independent.ieIn pictures: Hurricane Ian causes devastation as it swamps parts of Florida – Independent.ie

Charting A New Future

I think Future Islands nailed the idea of unidentified phenomena, either being external or internal, in their beautiful song Like the Moon:

Future Islands – Like the Moon
6,667,533 views

Without better abilities to navigate our inner spaces, we will probably destroy our planet and ourselves right along with it.

First Archetypal Image

Child Road Spaceship Photomontage Ufo Kid Girl | warppppp5 | Waschi Washborne  •  Age 60  •  Essen/Germany  •  Member since Dec. 15, 2020

Second Archetypal Image

Ufo Abduction Fantasy Bicycle Child Baby Alien | 0fjd125gk87 | Deutschland  •  Member since Sept. 3, 2013

Third Archetypal Image

Fantasy Landscape Spaceship Ufo Hover | KELLEPICS | Stefan Keller  •  Deutschland / Germany  •  Member since March 22, 2017  •  #274

Fourth Archetypal Image

Wald Nature Frau Flower Photomontage | warppppp5 | Waschi Washborne  •  Age 60  •  Essen/Germany  •  Member since Dec. 15, 2020

Fifth Archetypal Image

Water Drops Waterdrop Liquid Jumping Up Drop | Inactive account – ID 4924546

Sixth Archetypal Image

Ballet Water Drop Frau Ballerina Liquid | warppppp5 | Waschi Washborne  •  Age 60  •  Essen/Germany  •  Member since Dec. 15, 2020

Seventh Archetypal Image

Earth Ufo World Globe Landscape Country Template | pixel2013 | S. Hermann / F. Richter  •  Germany  •  Member since April 9, 2016

Music for Archetypal Animation:

Uncharted History | Sound Effects Zone

Related Videos

UFOs Go Round and Round!
Psyche (July 30, 2021)
Mother of Grief (Redux2)
43 viewsPremiered Nov 12, 2021
The Persuaded | Last DJ on Earth | Mini series