I wrote this piece about one year ago. Being brutalized (physically, psychologically, or spiritually) by someone who holds power over you takes unbelievable amounts of inner strength, courage, and perseverance. Feeling rage is never wrong. However, choosing how to express rage can cross social, cultural, and moral boundaries that exist for very good reasons.
I believe rage is something building up all over the world for many reasons such as being bullied by popular kids at school, bullied by a boss at work, bullied by governmental systems designed to enforce huge inequalities baked deep into its operating systems long ago, or bullied by another country who seek to control a people or a place through violence carried out with impunity.
It doesn’t matter where or how superior power is used to control another human being such use of force is humiliating and is meant to put someone else down. A person on the receiving end of this sort of abuse is suppose to feel fear, sadness, anger, and rage. It is part of the abuse. It is a form of social torture.
If you find yourself in a place of rage, you are right to feel it. Do not try to suppress your rage or run from it. Turn around and face it dead on. Only this way can you choose how to express this rage. It is energy. It has to flow. It will flow whether you are conscious of it or not.
How a persons deals with how rage flow depends on many factors such as family, culture, social groups, emotional maturity, personality, mental health, social structure, and so many other factors. But it is only with conscious awareness that you can capture your rage and choose a better path of action versus a more destructive path.
Rage is going to flow consciously or unconsciously. You begin to heal and regain your strength and dignity when you are conscious of your rage, when you feel your rage, when you own your rage. By doing this, you can use your rage to get to a better place like a sailor who uses the wind to get to where he wants to be rather than letting the wind blow you somewhere you don’t want to be.
Note: Rage can be manufactured, especially in these times. Let’s call this Fake Rage. It is artificially induced into people’s minds by other people seeking to manipulate public sentiment for their own purposes. This is not the kind of rage I am referring to in this blog.
Sacrifice to the Squirrel Gods
Thanksgiving… what a wonderful time to get together with family and friends and share our collective blessings, and oh how precious, after a year and a half of not being able to get together due to a global pandemic!
But, Thanksgiving, oh how aggravating, antagonizing, and infuriating it can be to get together with precisely the people who know how to get under your skin. The one’s who know how to rip off the fragile psychological Band-Aid you’ve managed to put over the bubbling hot well of pain, torment, and psychological abuse inflicted on you by people who are supposed to love and support you (friends or family), but instead they get their kicks inflicting emotional pain and psychological torture at your expense.
Since inflicting pain and torture back on them is not the karmic path you want to take, nor may you have the opportunity to tell them just how horrible and monstrous they have become as defectively amoral human beings… something like June was finally able to do when she confronted Serena Waterford in her prison cell in Season 4, Episode 7 of the Handmaid’s Tale. The part where she screams in her face ‘Do You Understand Me’:
If you don’t have this outlet to express your anger and rage at their moral deficiencies and extremely flawed character traits that are hurting you, then try a sacrifice to the squirrel gods!
t’s what our ancestors used to do long, long ago. We think it’s kind of silly and not what a modern person should be doing… but this is another ploy by your tormentors to keep you feeling horrible. They don’t want you to find your voice, your power.
You can’t let go of your rage any more than you can hold onto it.
The only thing you can do is to try to remove the inner obstructions that are hanging you up as you try to navigate through this blistering inner torrent that is moving through you like a river of rage searing its way through your soul.
That is what sacrifices where for long, long ago. They were never for some god sitting up on high making judgements over us all. They were for us… to help us navigate inner rivers of rage so that we do not become the monsters who are tormenting us and causing so much destruction not only in our lives but the shared reality of everyone.
So make a sacrifice…use your creativity to make your voodoo doll, your effigy of your tormentors. Project all their dangerous energies and damaged soul into your talisman and set it out as an offering to any animal spirit you choose–it could be ravens, wolves, or squirrels.
It is so satisfying…and when you feel this satisfaction inside, you have removed an impediment to your rage because it needs to flow, it’s part of your power and you need all parts of your power…the good, the bad, and the ugly… to heal and grow into the individual you want (and know) you are, which is not a monster like your tormentors but a healer and conscious decision maker of your destiny.
One year later, my rage has not gone away but it has evolved. Margret Atwood is a genesis in capturing the evolution of rage… the kind I’m talking about above. Season 5, episode 10 is absolutely awesome and Billie Eilish’s song dead on! Go Margret, go June, go Serena! Maybe there is hope!
It is she who said monsters are made. Think Frankenstein, definitely constructed by a human.
And we do this all the time…in our heads simply repeating the stories we tell ourselves that create indelible images, which we then project onto the world we live in. Or better said, the world we wish we lived in.
The Planet We Made
Olafur Eliasson is an Icelandic–Danishartist known for sculptured and large-scale installation art that employ elemental materials such as light, water, and air temperature to enhance the viewer’s experience. He designed the cover of Time this month to highlight our collective climate crisis that will affect and impact everyone on Earth. Rich or poor, everyone will pay a huge price for further dithering and delaying on taking immediate action Now.
Olafur tells Time to create the effect on TIME’s cover, he employed a technique called after imaging. By following the instructions on the cover, when the page changes, your eyes re-imagine our overheated planet in the healthy vibrant greens and blues we, the human race, were born into and began our journey as a species through time.
The Monsters We Make
This same elusive after imaging takes place inside our minds. The images that get stored inside our minds are created by the stories we tell ourselves and the images we consume as ordinary citizens.
These images, let’s call them cultural images, are stored in our minds as belief systems. Beliefs are vastly more complicated images than the one created by Olafur Eliasson for the cover of TIME. However, compared to reality, beliefs are pathetic and paltry.
Belief systems tend to leave far more outside (the evil other) than inside (the person who sees the the world like you do). All of us adopt and cultivate belief systems. They help us know who we can trust. And, they help us survive by acting as short cuts to reality.
By popping your beliefs into a situation, you can just get down to action. Or really reaction to a situation because beliefs allow you to skip the work of hard thinking, critical analysis, and feeling into what you are actually experiencing.
Systems of belief are informed by the families we grow up in, the cultures we live in, and the religions we participate in (or do not participate in). Systems of belief are further evolved and informed by friends, peers, teachers, clubs, politics, and media, among many other sources.
Whether you accept the stories and images imparted to you through these systems, whether you believe them or you don’t believe them, beliefs about how the world is or isn’t are formed and held in the mind very much like the phantom image Olafur Eliasson created on the cover of TIME.
Each and every belief are things you have choose to accept, to believe, and to store in your head. You choose to believe the things you think are true or what you don’t believe or believe to be not true, regardless of whether they are empirically true or not true.
Once you commit to a belief (in other words you swallow an idea hook, line, and sinker), it creates an indelible image of how the world is, which gets overlay onto everything you do and everyone around you. Very much like the elusive image Olafur Eliasson made for the November 2022 cover of TIME. You put them there, and then you project them on the world.
Beliefs are more likes wishes, fears, and desires. They accord with more how we want the world to be rather than how it really is. Our wish/fear/wants live inside our minds and are projected on the world every moment of our lives. They hoover and cling to everything and everyone we come into contact with like a ghostly aura. Depending on what our projected system of beliefs tells us we should believe about a person or a thing that comes into our narrow bandwidth of focused conscious attention, aligns our actions and behavior in the world.
This rather simple ability has oversized implications–some good, some bad. It is an ability that we take for granted as human beings. Our ability to create systems of beliefs is a form of ignorance (ig–nor–ance, what we choose not to see) and it has gotten the better of us. It is what allows us to turn ordinary human beings into monsters or our world into a wasteland.
Kendra R. Parker explains our creation of and fascination with monsters this way:
When Dracula appeared in the 19th century, there was all of this fear, the English were preoccupied with borders, boundaries and nationalism. Between like 1881 and 1900 there was an increase in the number of non-English Jewish people. There was this xenophobia, this fear of Jewish people, this sort of threat of external colonization. And so these fears about the threatening outsider, who is going to come in and disturb the national pure body, finds its way into Bram Stoker's Dracula.
And if we come to the United States in 1898, we have newspaper images popping up out of North Carolina that depict Black men as vampires because there was this fear of Black men. There's this fear of black men being in politics and so that if you got black political power, then they're going to take over and destroy white women and all of that. And so you've got all of this propaganda.
And there are two images in particular. One is called "The Vampire that Hovers Over North Carolina." It appears in 1898, and it's a Black male vampire coming out of a ballot box. And there's another image that same time period in North Carolina where you got vampires coming out of the grave to vote and they're Black. And so there's this fear that if you let these monsters vote, they will take over and destroy our way of life.
The Monsters We Are
When we use our system of beliefs to turn other human beings into monsters, it is ourselves who become the monster. When hate becomes our fuel, then the transformation is complete. The monster has been made.
It is a way of being in the world that leads to Hell. It is the path of destruction, of mayhem, and of death.
It is a way of being in the world that may begin by being suspicious, distrustful, and skeptical. But it can quickly eclipse who you think you are and make you into a person who takes pleasure in being cynical, ghoulish, grisly, and grotesque.
Such a journey is often summed up by the popular phrase —Take The Red Pill. This means a person that falls down a rabbit hole. They start out innocently following juicy breadcrumbs of gossip and plausibly outrageous happens that grow ever more implausible. But once you get hooked on these toxic breadcrumbs carefully left behind by Master Manipulators who are experts in making the implausible sound plausible. Indeed, the Truth that you are willing to die for.
How To Make of a Monster
Step 1) Chop the world into absolutely good and absolutely evil, then choose a role to play in this absolute drama (it goes without saying that whatever side you play on… that is the righteous side, the good guys, the side that is going to slay absolute evil)
Step 2) Select a Mask for the role you will play in the absolute drama to rid the world of absolute evil (make sure you are the Super Hero of your story and everyone else is the bad guy)
Step 3) Strap Your Mask Tightly To Your Face So It Doesn’t Slip or Fall Off (you don’t want anyone to see you are merely human like the people and other living beings you are dehumanizing)
Step 4) Cut Up Bits and Pieces from the World and Other Stories, Then Mash Them Into Your Mask So You Become Unrecognizable Like Camouflage (it doesn’t matter if the bits and pieces make sense anymore, you are creating your super hero version of yourself!)
Step 5) Add Lots of Layers to Your Mask, Be Sure to Use Lots of Devilish Deceit and Deception, More Camouflage to Help You Better Play Your Role (God forbid anyone recognize that you’re really human behind your Fake Persona)
Step 6) Distort, Deform, and Mangle Your Mask to Create Fantastic New Levels of Distractions and Illusions, Even More Camouflage… Fighting Evil Isn’t for Sissies (this will draw others to you — your followers, your zombie army)
Step 7) Forget You Are Wearing A Mask: Now You Are A Monster
I have not read this book, Metaflesh. But, the image of the cover is captivating. To me, it perfectly captures how we can turn ourselves into monsters using any system of belief, any one at all. In the land of make believe, nothing is sacred. Once we slip down a rabbit holes inside our minds, the inner Hellish landscape allows us to endlessly violently project onto others what we cannot admit to ourselves that we are.
This is a book review of Metaflesh from where I got the image:
Metaflesh is written by Evan J. Peterson, author of The PrEP Diaries: A Safe(r) Sex Memoir and DragStar!, the world’s first drag performer role-playing game. Metaflesh is a book of verse and prose from the point of view of Frankenstein’s Monster. The reflections are inspired not only by Mary Shelley’s seminal work (double entendre fully intended) but also by the pop culture descendants of her novel. Sources include a wide variety of Frankenstein/mad scientist movies and song lyrics. The book also contains themes of Jewish folklore, queer culture, camp, and a lot of David Cronenberg-style body horror. The book covers the gamut of the Monster’s experiences through over a century of movies and songs, and portrays the Monster as both gender-fluid and a sort of chimerical film critic, reviewing portrayals of their self through lyric poetry and flash fiction.
This is an ingenious book of metafiction. Just as Dr. Frankenstein cut up different people and stitched the bits together, Peterson cut up and reassembled his sources, turning them into something greater than the sum of their parts. Borrowing from William S. Burroughs cut-up technique, he splices together Mary Shelley’s Frankenstein with F.T. Marinetti’s Manifesto del Futurismo (Futurist Manifesto) and with J. G. Ballard’s essay, “Why I want to F*ck Ronald Reagan.” He apostrophizes the sexually explicit films of avant-garde queer Canadian creator Bruce LaBruce and doesn’t forget to include General Mills’ Frankenberry breakfast cereal or select lines from Mommy Dearest and The Rocky Horror Picture Show. The combined imagery of classical Greek mythology, white supremacy, drag queens, Judaism, and zombie erotica do not merge into a hot mess but meld together into a deliciously readable book.
This literary retrospective is sad, funny, quirky, surgically precise, and captivating. I was never bored and didn’t skip through parts. I tore through my first reading at speed and have been taking my time through subsequent readings. The only spot which slows me down, pulling me to a frowning halt, is a simile in the poem, “His Name is In Me”: “gross as the tallest savage.” Although I’m aware that white supremacist imagery is intentionally used throughout the book—punching up, not down—the use of the word “savage” feels out of place here. It is a racial slur used against Black and Indigenous peoples and stands out awkwardly in a poem strongly based in Judaic imagery. If it is a slur used against Jews, I am unaware, but this is my only quibble with the entire book. -- Book Review: Metaflesh by Evan J. Peterson
Someone OnceTold Me
Someone once told me that my blog The StoryTelling Species Series was just a story. He really just wanted to put it down and elevate himself because we were having a very strong disagreement about COVID. I knew he was wrong, but could not explain to him why he was so wrong then.
Now I can. I knew it is the stories we tell ourselves that make us into heroes or villains, good or evil, saints or monsters. Now I know how it happens inside our minds.
Given how susceptible we are to believe our own stories and lies about ourselves, it is best to give all other people the benefit of the doubt and trust they are not the monster you are afraid of… the one that lives inside of you. It is best just be human and to recognize that we have a little bit of good and a little bit of bad inside of us.
It is when we hang onto the evil inside of us and refuse to let go of it that we make ourselves into monsters and turn Earth into Hell. Trust that reality is far more interesting than the stories we tell ourselves about our selves and others.
Trust that you belong here and now with everyone else and that together we can heal ourselves. This is something we can only do together. And if we heal, Earth heals and our burning hot planet may once again shine in its brilliant, beautiful, life sustaining blues and greens!
Not long ago, in an extremely rare moment of bipartisan unity, Republicans and Democrats came together to discuss UFOs, now called unexplained aerial phenomena or UAPs by the military. It is the first Congressional meeting on the topic since 1969.
David listened into the hearing along with Mick West.
Mick West is a British science writer, skeptical investigator, and retired video game programmer. He is the creator of the websites Contrail Science and Metabunk, and he investigates and debunks pseudoscientific claims and conspiracy theories such as chemtrails and UFOs. Wikipedia
This short episode of This American Life is a curation of their discussion of the Congressional Hearing while they listened to military officials present a report to Congress that includes about 400 incidents, which is up from 143 assessed in a report released about a year ago.
Mick explained a lot of the unexplained aerial phenomena as camera artifacts such as these:
Scott W. Bray, the deputy director of Naval intelligence, told lawmakers there is no evidence of aliens, and they still haven’t uncovered anything “nonterrestrial in origin,” although there remain incidents they can’t explain.
That Doesn’t Mean They’re Not Real
Despite lacking physical evidence that proves the reality of UFOs (other than other explanations such as camera artifacts, mylar balloons, and contrails) that does not mean there isn’t something very real going on. Indeed, this unexplained phenomena is as old as man’s ability to articulate his experiences to others. What makes humans extraordinary on this planet is our shared ability to perceive and share physical reality through words, symbols, and ideas. Human beings also share the ability to perceive and make sense of inner realities. Indeed, mankind’s most spectacular ideas and inventions originate from this inner dimension of being.
Carl Jung is best known for his theories of the human subconscious and the idea he termed the Collective Unconscious. Through his practice as a psychiatrist, he came to believe humanity shares a subconscious mind that stores the memories of all human beings, dead and alive, that are available to us through images, visions, dreams, and other phenomena humans experience, especially at times of stress, trauma, life and death.
Jung wrote a book about UFO and paranormal phenomenon. Here are two summaries of this book:
While Jung is known mainly for his theories on the nature of the unconscious mind, he did have an interest in the paranormal. In this essay, Jung applies his analytical skills to the UFO phenomenon. Rather than assuming that the modern prevalence of UFO sightings are due to extraterrestrial craft, Jung reserves judgment on their origin & connects UFOs with archetypal imagery, concluding that they have become a "living myth." This essay is intriguing in its methodology & implications as to the nature of UFOs & their relation to the human psyche. -- GoodReads: Flying Saucers: A Modern Myth of Things Seen in the Skies
In the threatening situation of the world today, when people are beginning to see that everything is at stake, the projection-creating fantasy soars beyond the realm of earthly organizations and powers into the heavens, into interstellar space, where the rulers of human fate, the gods, once had their abode in the planets.... Even people who would never have thought that a religious problem could be a serious matter that concerned them personally are beginning to ask themselves fundamental questions. Under these circumstances it would not be at all surprising if those sections of the community who ask themselves nothing were visited by `visions,' by a widespread myth seriously believed in by some and rejected as absurd by others.--C. G. Jung, in Flying Saucers Jung's primary concern in Flying Saucers is not with the reality or unreality of UFOs but with their psychic aspect. Rather than speculate about their possible nature and extraterrestrial origin as alleged spacecraft, he asks what it may signify that these phenomena, whether real or imagined, are seen in such numbers just at a time when humankind is menaced as never before in history. The UFOs represent, in Jung's phrase, a modern myth. -- GoogleBooks Summary
Jung maintained throughout his life that man’s inner life, dreams, images, visions is real and carries a reality, a gravity that can be felt in our lives each and every day.
Reality Is Strange | We Need Inner Astronauts Now More Than Ever
Perhaps we need more inner astronauts willing and able to go where no man has gone before, equipped with abilities to chart our inner space, just as we do our outer space. Indeed, inner space may be far vaster than the universe, which may be a little phenomena of this vast inner space that we do not understand very much at all.
In a time of so much crisis, we need to learn how to better articulate inner weather and dangerous patterns just as we have learned to watch and predict weather patterns and identify dangerous patterns such as Hurricane Ian.
There have been many dangerous and horrible natural disasters this year, including devastating floods in Pakistan, acute heat waves and historically lower water levels in rivers throughout Europe, and increasingly bigger and deadlier fires worldwide (see 2022 International Wildfires: As of Sept. 8, the European Forest Fire Information System (EFFIS) estimates that within European Union countries, between 2 million acres and 2.1 million acres have burned).
There is also dangerous and deadly inner weather that is sweeping the world. It travels on currents of propaganda, misinformation, lies, and conspiracy myths. Hurricane Putin is meaning the entire world with his threats of nukes, sabotaging his own pipeline (a play he used to get into power when he had apartment buildings blown up and blamed it on Chechen separatists), and the death, destruction, and torture of Ukrainians. His maniacal invasion of Ukraine rides on his strangle hold on power in Russia allowing him to infect and propagate a collective homicidal psychosis among his people. His and other strong arm actors in our world are distracting us and contributing to our collective failure to mitigate climate change while we still can.
Can you tell which pictures that are Putin’s hurricane of devastation and death and which are Ian?
Several days ago, I heard Rachel E. Gross interviewed on the The Takeaway about her new book “Vagina Obscura: An Anatomical Voyage.” Melissa Harris-Perry, the host, introduces Rachel saying:
Rachel's new book looks at the historical dis, miss, and lack of information about the bodies of people with vaginas, which includes women, trans men, intersex people, and non-binary people. In the introduction to her book, Rachel describes conversations she had with multiple scientists who tried to explain why we understand so much less about female anatomy and vaginas compared to male anatomy and penises.
Interesting things Rachel says about vaginas:
"When pressed, he and others acknowledged that this discrepancy at its heart is due to sexism within science and who is actually doing the investigating. For most of history, women, especially women of color, trans women, and women who are sexual minorities have been excluded from the supposedly universal endeavor. As I reported this book, it became clear to me that the two problems were inseparable. The marginalization of women's bodies from science is largely due to the marginalization of women from science."
"A huge theme in this book is that you only see what you expect to see and you can't see what you aren't looking for. That mostly comes up when we're talking about these older, usually male anatomists who are looking at female bodies and expecting to see something. They expected the female body to be reproductive, to be mostly about the uterus. To not really have that big a capacity for pleasure or for active dynamic processes going on."
"What they illustrated was very passive, a hole or a cave. The word vagina actually means a sheath, which suggests that its main role is to house a penis, which it is not. There definitely is a reimagining going on by a lot of new scientists and you can see that in the art throughout the book. Every chapter opens with an illustration that really looks at these organs in a new way. Usually, one that is active, dynamic, and resilient."
"Unfortunately, the idea of shame has really impacted the way that science, medicine, and people with this anatomy have viewed the "female body." There's a really strong pattern going back to Hippocrates of anatomists really insisting on naming these body parts after shame, especially the clitoris and the vulva. Hippocrates called all the genitals the shame parts, essentially, but that continued. Every time a French anatomist would, ''discover" the clitoris, he would name it the shame part."
"Even today you have words like Scham Lippin in German, which means the shame lips and refers to the labia. You have pudendum, which is an anatomical term that's hopefully being phased out, but it means the parts for which you should be ashamed. Again, it refers to only the vulva. Shame has really attached itself to the female genitals in particular, and that has affected the way science is done. There is a hesitancy of looking directly at this part of the body. There is a tendency to associate it with danger, sexuality in a negative light, the threat of pregnancy and STDs and disease."
"It's really blocked us from looking at the incredibly unexpected and expansive things that this system is doing. The ovaries are producing hormones that support body-wide health from bone health to heart health, to brain health. The uterus is one of the most regenerative organs in the body, and when it's not pregnant, just going through monthly menstruation, it's ushering stem cells and immune cells to heal this wound painlessly, it's creating new blood vessels and it's doing this every month on cue, and it probably has a lot to teach us about regenerative medicine in general but having looked at these organs with themes like shame and only reproduction in mind has really narrowed the view."
The female body has long been shamed by modern civilizations and many religions for centuries. Rachel says it has been colonized with the same imperial brutality inflicted on native peoples and the land worldwide. I think this is shameful: Man’s capacity to inflict brutality upon his fellow human beings and all life.
The Shame of Being a Sexual Being
Around the same time, I heard The TakeAway, I also listened to a lecture by Alan Watts about Repressed Sex. I never know where Synchronistic Stories are going to lead me, but this one seemed important.
Alan Watts artfully captures our confusion and shame around sex. Above is the video with his lecture and below is a transcript of it if you prefer to read. I’ll let you make your own connections, if you’re interested.
Transcript from video with time markings:
0:08 min Because naturally when you love someone 0:10 very much indeed in the enthusiasm and 0:13 ardor of youth you say things that are 0:18 hardly logical or rational you stand up 0:24 before an altar and you say my darling 0:25 my sweetheart my perfect pet I adore you 0:28 so much that I will live with you 0:30 forever and ever until death do us part 0:32 and that’s the way you feel at the time 0:36 in rather similar mood ancient peoples 0:40 would hail their kings and say O king 0:42 live forever obviously this was not 0:45 literally meant they were just wishing 0:48 him a long life but to live forever no 0:50 sir no mortal does that so the trouble 0:56 was you see that when certain kinds of 0:59 extravagant poetic expressions got in 1:04 the hands of people like Agustin and 1:06 Tertullian who were rather influenced by 1:10 Roman literalness they wrote it into the 1:13 law books and so this amazing situation 1:19 came about but we still have not fully 1:22 explored the subtlety of it let us 1:27 consider certain periods when this 1:31 attitude of PrudeISM towards sexuality 1:34 was in us in an ascendancy nearest to 1:38 our times is the bourgeois revolution 1:42 you might call it in Victorian England 1:45 and the United States we all say 1:48 Victorian as an adjective to indicate 1:51 grundyISM extreme monogamya definite 1:59 disgust for all things sexual and yet 2:04 when we really go into the history of 2:07 the Victorian period we find that it was 2:10 an extremely luscious 2:12 EPOC one has only to look at the 2:17 lushness the victorian furniture he 2:20 realized that chairs are disguised women 2:26 that the way even piano legs are shaped 2:30 when this kind of thing is throughout 2:33 Victorian art forms and the conduct of 2:37 the British aristocracy during that 2:39 period record description people like 2:45 Freud and Havelaar Kellis made certain 2:49 mistake yeah they said about the church 2:57 and about religion in general that it 2:59 was nothing but a form of sublimated sex 3:04 they said these people for curious 3:06 reasons suppressed sex and therefore it 3:09 becomes a very powerful force for them 3:14 you must remember of course that they 3:16 worked on a hydraulic analogy of human 3:18 psychology that they liken it all to a 3:21 river if you dammed it up that would 3:23 burst it down he doesn’t actually follow 3:26 that human psychology is hydraulic but 3:29 this is the metaphor they used now they 3:31 said the church has repressed sex but 3:34 actually if you look at its symbolism it 3:37 is nothing but an expression of sex 3:40 everything is reduced to libido as the 3:43 fundamental reality and the church 3:49 replied “It’s nothing of the kind we deny 3:52 this we think that this reduction of 3:55 everything for sex is just a way of 3:57 attacking holy things and on the 4:01 contrary we would say that people who 4:03 are fascinated with sex and make it 4:05 their God are replete are repressing 4:06 religion 4:11 now the problem in this debate everybody 4:13 missed the boat the church should have 4:18 been in a position to say to Freud well 4:20 of course 4:21 thank you very much ah yes indeed our 4:25 symbolism is sexual, the steeples on our 4:28 churches the vesicle shaped windows and 4:36 of suffer addict shields on which we put 4:39 images of the crucifix or the Virgin 4:42 Mother of God these are all quite 4:45 plainly sexual, but you see the sexual 4:49 biology in its term reveals the 4:53 mysteries of the universe; sex is not 4:56 mere sex sex is a holy thing and is one 5:04 of the most marvelous revelations of the 5:06 divine but imagine the church just 5:11 couldn’t say that if you look at Tibetan 5:16 Buddhist iconography they’re images or 5:20 you look in Hindu temples you will find 5:23 things that Europeans and Americans have 5:27 never been able to understand here are 5:30 images of Buddhas and of the gods 5:33 engaged in amazing diversions with their 5:37 female counterparts and everybody thinks 5:40 it needs a kind of dirty sculptures now 5:43 they are nothing of the kind they are 5:47 saying to the people who look at them 5:51 the play of man and woman is on that 5:57 level on the level of biology a 6:00 reflection of the fundamental play of 6:02 the cosmos the play of the positive and 6:06 negative principles of the light and the 6:08 dark of the mental and the material they 6:13 all play together and 6:17 the function of sexual play is not 6:22 merely the survival and utilitarian 6:24 function of reproducing the species as 6:27 it is among animals to a very large 6:29 extent what peculiarly distinguishes 6:33 human sexuality is that it brings the 6:38 partners closer and closer to each other 6:42 in an intense state of United feeling in 6:46 other words it is a sacrament the output 6:48 and visible sign of an inward and 6:50 spiritual grace bringing about love and 6:54 so if that is peculiar to human beings 6:58 it is perfect nonsense to degrade human 7:02 sexuality by saying it should only be 7:04 carried on in the way that the animals 7:06 do theirs because they have not yet as 7:11 it were evolved to the place where sex 7:13 is the sacramental expression of man and 7:19 woman’s love and this love in that sense 7:23 is a kind of enthusiasm which means a 7:27 being possessed by the Divine falling in 7:32 love although considered by practical 7:35 people to be a sort of madness is 7:38 actually the same sort of thing as the 7:40 mystical vision a grace and in its light 7:48 we see people in their divine aspect 7:54 when as the song says every little 7:57 breeze 7:58 whispers Louise there is a sort of 8:02 extraordinary state of mystical 8:05 intoxication in which the ideal woman 8:10 has become the goddess which is from one 8:17 point of view what every woman is if you 8:20 see her with the scales of your eyes and 8:24 likewise every man 8:28 seen with the scales of her eyes so what 8:38 happened then 8:38 as a result of this historical situation 8:40 was mutual name-calling between the 8:45 proponents of religion and the 8:47 proponents of scientific naturalism such 8:51 as Freud and Havelock Ellis and in our 8:57 own times Albert Ellis and people of 9:02 that kind they’ve never got together 9:06 because they’ve never understood 9:10 neither the church nor the opponents of 9:13 the church have clearly understood that 9:15 the secret or unconscious motivation of 9:18: sexual repression is to make it all the 9:20: more interesting and on the other side 9:26: it has not been clearly understood that 9:28: the sexual biology and all that goes 9:38: with it is a figuring forth on the level 9:47: of biology of what the whole universe is 9:50: about ecstatic clay so as a result there 10:04: has been a kind of compromise 10:07: today in ecclesiastical circles sex is 10:11: being damned with faint praise people 10:18: are saying after all yes sex was made by 10:20: God and we should remember the Jewish 10:22: point of view and it is perhaps for 10:27 something more than reproduction to 10:29 bring about the cementing of the 10:31 marriage ties between husband and wife 10:33 but 10:37 still in practice it remains the 10:42 frightening taboo on the other hand the 10:50 opposition to Christian prudery goes 10:54 overboard and always moves in the 11:00 direction of total license you see 11:04 what’s going on as a contest between the 11:06 people who want the skirts pulled down 11:08 to the floor the people want them pulled 11:10 up to the neck and you you know you’ve 11:14 got to draw the line somewhere but the 11:17 play between these forces is where are 11:19 we going to draw it well that’s very 11:21 exciting provide neither side wins 11:24 I mean imagine what it would be like if 11:28 the libertarians won and they took over 11:31 the church so that on Wednesday evenings 11:34 the young Presbyterian group would meet 11:37 for prayer through sex every child would 11:45 go to the school physician for a course 11:47 in hygienics and they would have 11:49 classes and that have plastic models and 11:51 all the children would do it in class 11:52 very clean hygienic circumstances all 11:56 sprayed with rubbing alcohol it’ll be 11:58 fun imagine how boring it would all 12:00 become so you see the people who say no 12:05 modesty is important have something 12:07 right about but they mustn’t be allowed 12:10 to get away with it but they mustn’t be 12:13 obliterated see life works that way 12:17 let’s take an entirely different analogy 12:19 let’s take a given biological group a 12:22 species we’ll call a it has a natural 12:26 enemy B now one day a gets furious at 12:31 the natural enemy B and says let’s 12:33 obliterate it and they gather their 12:35 forces and they knock out their natural 12:36 enemy well suddenly after a while they 12:41 begin to get weak they get over 12:43 populated there’s nobody around to eat 12:45 up their surplus creatures and they 12:47 don’t have to keep their muscles tensed 12:49 against 12:50 any enemy and they begin to fall apart 12:52 because they destroyed their enemy what 12:55 they should do is cultivate the enemy 12:57 that’s the real meaning of love your 12:58 enemy there is such a thing as a beloved 13:01 enemy and if you don’t have a beloved 13:07 enemy in other words if the Flies and 13:10 the spiders don’t go together you’re 13:12 going to be too many spiders or too many 13:13 flies and these balances are keep the 13:17 course of nature going well it’s exactly 13:19 the same thing as between the Libertarians 13:21 and the Prudes they need each other and 13:25 you should thank if you’ve got a prudish 13:28 father and mother you should be very 13:31 grateful to them for having made sex so 13:33 interesting 13:41 so don’t defy them completely don’t go 13:43 around campus with placards bearing 13:45 four-letter words because that’s going 13:50 to spoil the show that every generation 13:53 must react to the one before you see to 13:56 keep this tension going and it is by 14:00 this tension this play of the opposites 14:03 that we have the love that makes the 14:05 world go round.
The Shame of Being a Conscious Being
The third synchronistic thread I encountered is the Primal Split. This is the moment an infant becomes aware that he or she is a separate being from the mother. This is the beginning of a complicated cascade of emotions and conflicts that spark the awakening of ego-consciousness and symbolic thought, if the infant makes it to the other side of this split. If the infant navigates this crossing successfully, there is a moment of shame that must to be dealt with on the journey in becoming a fully conscious being.
I was doing research on the Primal Split for the book I am writing and realized its connection to Rachel E. Gross’ book and Alan Watts’ lecture. I also discovered this amazing performance art exhibit about the Primal Split created by Oya Damla.
Following is background on Melanie Klien and Oya Damla along with a fascinating theory of knowledge that is very much related to the Primal Split, shame, and how we come to know who and what we know as human beings. Again, I’ll let you make your own connections.
Melanie Klien& The Primal Split
Melanie Klein was an Austrian-British author and psychoanalyst known for her work in child analysis. She was the primary figure in the development of object relations theory. Klein suggested that pre-verbal existential anxiety in infancy catalyzed the formation of the unconscious, resulting in the unconscious splitting of the world into good and bad idealizations. In her theory, how the child resolves that split depends on the constitution of the child and the character of nurturing the child experiences; the quality of resolution can inform the presence, absence, and/or type of distresses a person experiences later in life. -- Wiki
While Freud's ideas concerning children mostly came from working with adult patients, Klein was innovative in working directly with children, often as young as two years old. Klein saw children's play as their primary mode of emotional communication. While observing children as they played with toys such as dolls, animals, plasticine or pencils and paper, Klein documented their activities and interactions. She then attempted to interpret the unconscious meaning behind their play. Following Freud, she emphasized the significant role that parental figures played in the child's fantasy life and concluded that the timing of Freud's Oedipus complex was incorrect. Contradicting Freud, she proposed that the superego was present from birth.
After exploring ultra-aggressive fantasies of hate, envy, and greed in very young and disturbed children, Melanie Klein proposed a model of the human psyche that linked significant oscillations of state, with the postulated Eros or Thanatos pulsations. She named the state of the mind in which the sustaining principle of life dominates the depressive position. A depressive position is the understanding that good and evil things are one. The fears and worries about the fate of the people destroyed in the child's fantasy are all in the latter. The child tries to repair his mother through phantasm and behavior therapy, overcoming his depression and anxiety. He employs phantasies representing love and restoration to restore the others he destroyed. Morality is based on the standpoint of depression. Klein named it the depressive position because the efforts to restore the integrity of the damaged object are accompanied by depression and despair. After all, the child doubts whether it can fix everything it hurts. Many consider this to be her most significant contribution to psychoanalytic philosophy. She later developed her ideas about an earlier developmental psychological state corresponding to the disintegrating tendency of life, which she called the paranoid-schizoid position. Klein coined the term "paranoid-schizoid defense" to emphasize how the child's worries manifest as persecution fantasies and how he defends himself against persecution by separating. The paranoid-schizoid position develops at birth is a common psychotic condition.
Klein's insistence on regarding aggression as an important force in its own right when analyzing children brought her into conflict with Freud's daughter Anna Freud, who was one of the other prominent child psychotherapists in continental Europe but who moved to London in 1938 where Klein had been working for several years. Many controversies arose from this conflict, and these are often referred to as the controversial discussions. Battles were played out between the two sides, each presenting scientific papers, working out their respective positions and where they differed, during war-time Britain. A compromise was eventually reached whereby three distinct training groups were formed within the British Psychoanalytical Society, with Anna Freud's influence remaining largely predominant in the US. -- Wiki
Check out Oya’s website for more about her beautiful interpretation of the moment of the Primal Split. The images of the Second Archetypal Animation come from photos she shares of this performance. She also shares original sound track for this performance. To hear this, you need to go to her site. It is well worth your time if this topic interests you.
Sex, Kids, and The Theory of O
With the birth of consciousness, humans enter a new realm of being. In this realm, knowledge and truth are incredibly important because they help us navigation through the world of symbols, which we use to navigate through our lives. Truth and knowledge especially matter in the corrosive vat of anti-truth and anti-knowledge. Our modern age is full of false prophets touting false truths and false knowledge, in short, they are full of shit and hocking lots of lies to enrich themselves or to exert control over other peoples minds.
I write about truth and knowledge in my story and encountered one of the most fascinating theories of how humans come to obtain knowledge or lose it. It is Bion’s Theory of O. Here is a bit of his theory. It is complicated. I’ll let you make your own connections if it interests you.
"Bion, who was to become the awesome explorer of the "deep and formless infinite" of the psyche, first immersed himself in the theories of Freud and Klein and then gradually developed a revolutionary metapsychological metatheory for psychoanalysis. Bion incurred the criticism of his colleagues by daring to investigate faith, spirituality, religion, mysticism, metaphysics, and fetal mental life. His concepts of transformations in L(ove), H(ate), and K(nowledge), as well as ofintuitionistic and subjective science[Transformations in "0" (Ultimate Truth, Absolute Reality)], constitute an objective and numinous psychoanalytic epistemology."
"Bion was preoccupied with the concept of ultimate reality and absolute truth and reoriented psychoanalytic metapsychology into a theory ofthinkingandmeta-thinking aboutemotions. He distinguished the "thoughts-without-a-thinker" from the mind that had to develop in order to think them. I believe that his concept of"intuitionistic thinking"also presumes the presence of a more profound aspect of that mind: Not only did a mind develop to harvest the "thoughts without a thinker," but another aspect of the mind had to originate these "unthought thoughts." I believe that Bion came to a realization that true "thinking" ("dream work alpha" along the dimensions of "L, H, and K") is an unconscious -- if notpreconscious -- act and that what we normally term "thinking" (application of the ordinate and abscissa of the "Grid") is really"after-thinking."
"By realigning psychoanalysis with metaphysics and ontology (existentialism), Bion perforated the mystique of ontic "objectivity" implicit to logical-positivistic, deterministic science and revealed its own unsuspected mythology--itsabsolute dependence on sense data. Applying his concept ofreversible perspective,he found myths, both collective and personal, to be themselves "scientific deductive systems" in their own right (Bion, 1992). Mostly, Bion founded a new mystical science of psychoanalysis, a numinous discipline based on theabandonment of memory, desire, and understanding. To Bion, mysticism is "seeing things as they truly are -- without disguise" (personal communication). He was preoccupied with the question of how we know what we know."
"In this contribution I emphasize my understanding of Bion as theintuitionistic epistemologist, the"emotional mathematician"(Bion, 1965), the "mystical scientist" (Bion, 1970), the intrepid voyager into the deep and formless infinite, "O." I suggest that a "Transcendent Position" is implied by Bion's conception of "O," the latter of which overarches"nameless dread," beta elements, the "thing-in-themselves," the noumenon, "absolute truth," "ultimate reality," and "reverence and awe." -- From BION'S "TRANSFORMATION IN 'O' by James S. Grotstein
On the other side of O is Q. That little mark on the right side of Q is the sign of the corruption of thought and descent into lies. It is the sign of anti-truth, propaganda, and infantile rage.
It is the sign that a person is stuck in the paranoid-schizoid position. These individuals have split the world into the Good Mother (all that is good) and the Bad Mother (all that is bad), and they have stepped into the good bubble and seek to destroy all that is bad failing to realize it is all one, everything is connected. The Good Mother and Bad Mother are the same Mother. The Good Reality and Bad Reality are the same Reality. Destroy one and you destroy All. This is indeed a shameful place humanity has allowed itself to fall into basically because we are afraid of who we really are.
See Juliette Kayyem‘s story in The Atlantic. Trump is an outsized purveyor of propaganda and lies. So is Putin. We will pay with our precious world if humanity continues to close its eyes to the danger these liars and the threat they pose to everyone and existence itself. For the human beings who buy their lies and false truths, they give up their individuality to become part of a psychological monster bent on destroying the Bad Mother…never understanding that the Good Mother and Bad Mother are One.
"For a man who believes in nothing, has no coherent ideology or value system except his own continuing relevance, obsesses over conspiracies, and subsists on grievance and anger, Donald Trump took a long time to fully embrace QAnon. For some time, the former president has been flirting with the cult—which believes, among other preposterous things, that Democrats are part of a global child-sex-trafficking ring that Trump will ultimately defeat. But lately, that courtship has turned into a consummated marriage, as Trump incorporated QAnon tropes into an Ohio rally and started spreading them on his social-media service. -- About the author: Juliette Kayyem, a former assistant secretary for homeland security under President Barack Obama, is the faculty chair of the homeland-security program at Harvard’s Kennedy School of Government. She is the author of The Devil Never Sleeps: Learning to Live in an Age of Disasters." -- The Atlantic by Juliette Kayyem
Trump never found his mother. He never reconciled the Good Mother with the Bad Mother. He is permanently stuck in the paranoid-schizoid position. He is a permanent infant; a raging toddler, and so too is any one who paints the world in absolutes, in black and white , in this and only this is good: everyone else is bad. We will end the world if we remain hostages to such infantile men such as Trump and Putin. Any human being stuck in the authoritarian position is playing the Confidence Man game, which is a ruse for being a permanent paranoid infant. These are mad men leading us collectively straight to Hell.
Trump and his infantile, paranoid comrades are shameful.
The End of Shame
The final synchronistic thread that struck me is the death and burial of Queen Elizabeth II. Death is definitely the end of shame. It is the end of a journey through life. It is the end of that person’s story, of what that person came to understand, to know, to feel, to treasure or despise, to love, to cherish, to hate, and how they reconciled differences and conflicts. How we navigate our lives, everything we come to know and loves, comes to an inevitable end with death.
Alan Watts is absolutely right, the church is full of symbolism about sex. The steeples and naves of Christian churches are ripe with human sexuality, which is the most awesome act of creativity we are capable of as living beings. And so it is in death we end our journey through life and we are returned the womb, the tomb, from which we came.
This is what I wrote in reflecting about the death of Queen Elizabeth II.
For anyone who has lost a loved one, the ceremony of the burial of Queen Elizabeth II was poignant and full of rich symbolism and pageantry. There are many who mourn her passing, and there are many who say the time for royals is over. But, we as the people of Earth have never needed the symbolic role that Queen Elizabeth II played for more than 70 years more urgently.
We are crumbling under the weight of modern inconveniences, complexities, and confusion. We are losing our inner rudder, our collective moral compass. When we as the people of Earth can no longer unite under a common cause, let suppose this is the continuation of a habitual planet conducive for life, then we will simply rip apart the fabric of society necessary to met the challenges of this century.
Queen Elizabeth II played a role. She knew she was a symbol of stability, of hope, of continuity and the ability of her people to endure the tough times as well as enjoy the good times. Lacking such role models, symbols of strength, virtue, and compassion, it is easy to fall prey to our own thoughts of competition, revenge, vengeance, hate. No, she was not perfect, no human being is or ever will be and much was left undone in the wake of British imperialism. But, she showed a path, a better way, and we the Good People of Earth should take heed.
There are terrible problems ahead of us. Nuclear destruction has never been closer with the savage craze of Putin. This is such a man capable of pushing the button, so is Trump. And if nuclear war doesn't get us, then the global food crisis Putin has unleashed with his vengeful war will kill millions beyond the hundreds of thousands he has already killed with his insane war. And, he is creating the ultimate distraction preventing the world at the very moment it has a chance to mitigate the worst effects of Climate Change. There is only 8 years left. We are the people who will leave this great task left undone, so the future of life on Earth certainly hangs on the thinnest thread yet.
It is truly a time to take stock and act as we have never done collectively as a species before.
Feature Archetypal Animation:
Images for First Archetypal Animation:
Gross was asked to sketch out some basic ideas for each chapter for the illustrator, Armando Veve, who did opening chapter illustrations for each chapter. “The result was very fun, and developing the final illustrations was super collaborative,” Gross says. Rachel Gross — The Open Notebook
I just finished watching the first season of Apple’s Original TV series Foundation based on Isaac Asimov’s book series by the same name. I was especially interested in how Asimov deals with the inner workings of a highly advanced technology-based empire spanning the entire galaxy. This Empire must deal with all the peculiarities that make life so interesting and precarious on Earth, except it manages hundreds of thousands of planets that are spread light years apart from each other. It’s an Empire whose human descendants don’t remember where they came from, which of course is Earth.
Some unexpected things happen to Gaal on Trantor. People in the galaxy call this planet the machine planet. It is where spectacular special effects occur. Apple won a Golden Globe (or something like that) for the special effects in this first episode, called TheEmperor’s Peace.
Home of the Empire
Trantor is also the planet where the Empire is based. It looks like a machine from space because its needs a massive amount of infrastructure to run and rule an entire galaxy full of people who are constantly getting into conflicts and warring with each other. That’s an Empire’s job–right?–to run and rule the people of its realm fairly and justly and to keep the peace?
“No,” you say?
Well, you are right…most empires, including future highly technical ones, tend to do a pretty crappy job of ruling their territories and people. Disparities tend to develop between those with power and those who supply the power to run the empire. For instance, everyone in Trantor lives in the machine environment that goes 100 levels underground. The exception is the people living at the Imperial Palace. Here it is green and lush and luxurious. That’s one obvious inequity. There are many more and there are various rebellions against each one, all at a different stage of rebellion against the Empire.
This is what Hari is trying to warn the Empire about. There is a looming disaster coming that is going to crush everything. The Empire will fall and humanity, what is left of it, will plunge into 30,000 years of primitive darkness unless…
It’s the same problem the Lorax had with the Once-ler.
Empires often resort to use of excessive force to put down resistances. They don’t want to look weak! They also tend to think they know everything, and thus different points of view such as Hari’s are viewed as threatening and something to be exterminated. Rules and laws mainly serve as a pretexts for violence and use of deadly force to control the masses. And then wait until you see how this Empire deals with the rather awkward process of succession. Changing from one ruler to another ruler is always a rather fragile and weak time for empires. Researching Ruthless Rulers for my book, ancient Rome was a viper’s nest around issues of succession.
Critique About Series
I read criticism from one source that after the first episode, the Apple TV series veers far from Isaac Asimov original novels. Apple has Asimov’s daughter consulting on the script and in production. And as for veering from the storyline of the books, these critics simply don’t have anything else to criticize. Of course a TV series or movie is going to veer from the original written work, film is a completely different story telling device. A filmed telling of this vastly complex world is necessarily very different than a written telling of it… full stop.
Female Cast and Characters
I think Apple hits it out of the ball park with the female leads! They are impressive.
Lou Llobell plays Gaal Dornick. I couldn’t find much on Lou, but I sure want to see more of her. She is so feisty, intelligent, instinctive, and deeply intuitive–she far surpasses her male counter leads.
Leah Harvey plays Salvor Hardin, the Warden on Terminus. I didn’t find much on her either, but she knocks it out of the ball park and beyond in this role. She too is feisty, tough, intelligent, instinctive, curious, protective, and deeply intuitive. She also far surpasses her male leads…though I do admit, I have a serious crush on her lover, Hugo.
Laura Brin plays Demerzel. She is the last of her kind after the Robot Wars. She serves as Minister to Emperor Cleon. She is one powerful mix of Deanna Troi from Star Trek: The Next Generation; 7 or 9 from Star Trek: Voyager; and Daenerys Targaryen from Game of Thrones. She knows how to handle Cleon’s mercurial moods.
T’Nia Miller plays the religious leader Zephyr Halima who is from Mirrus Twelve. She is positioning herself to be the next Proxima; the head of a mother worshipping religion dedicated to the Three Goddesses–Maiden, Mother, and Crone. She is a stunning and mighty woman. I would follow her.
Kubbra Sait plays the Grand Huntress from Anacreon who has a big grudge against the Empire. She is badass, fast, cunning, and beautiful in a terrifying way.
Male Cast and Characters
The male cast members are great too. They include:
Jared Harris plays Hari Seldon, very convincingly. He is a professor, mathematician, and creator of psychohistory algorithmic science. Basically, your good old troubler maker for the Empire. Is he a good guy or a bad guy? You’re going to have to watch to find out.
Lee Pace plays Brother Day. I hated this character at first, then I begin to like him. Oh yeah, he played Elvenking in the Hobbit too
Cassian Bilton plays Brother Dawn. He is less well known, but his performance is right up there with the women, especially when he is wrestling with the more feminine parts of himself.
Terrence Mann plays Brother Dusk powerfully. I liked him best first, then began to hate him.
Alfred Enoch plays Raych Seldon, Hari’s adopted son. He is awesome and deeply complex character shrouded in mysteries.
There are plenty more amazing characters; after all, this empire needs to populate an entire galaxy with humans!
I was sad to read Josh Friedman left as a key writer earlier in the series. He has written and produced blockbusters such as Terminator: The Sarah Connor Chronicles, H.G. Wells’ War of the Worlds, Terminator: Dark Fate, and Avatar: The Way of Water. Wiki says he left due to creative difference with the network over radical difference in vision. I wish I knew more about what these were. He says he was pressured to leave. Several cast and crew left with him. This is a shadow on what I otherwise think is a TV series that is well worth watching and has done a tremendous job in making the cast diverse and reflective of many different skin tones, ideologies, and everything else we humans use to divide ourselves from one another.
Music Feature Archetypal Animation
Music: Foundation: Season 1 (Apple TV+ Original Series Soundtrack) by Bear McCreary  Foundation Main Title 1:27
Continuing with the theme of empires, there is a movie worth watching called Waiting for Barbarians (2019). It is based on a novel by the same name written by J. M. Coetzee and published in 1980. This story takes a piercing view into the bureaucratic nature of empires, particularly the warring aspect of them.
The movie begins in a lowly desert outpost on the frontiers of an unnamed Empire, but I can hazard a few guesses. It is run by a Magistrate (played by Mark Rylance) who is humble, curious about ancient artifacts, and does a very good job of maintaining the peace. Mostly he leaves the native people alone, listens, and looks for ancient treasures as he tries to understand what might have existed there before.
Then, Colonel Joll (played by Johnny Depp) arrives wearing his sunglasses!
The sunglasses tell you everything you need to know about him. By the end of the movie, you realize he’s the barbarian.
The Tao is like an empty container: it can never be emptied and can never be filled. Infinitely deep, it is the source of all things. It dulls the sharp, unties the knotted, shades the lighted, and unites all of creation with dust.
It is hidden but always present. I don’t know who gave birth to it . It is older than the concept of God.
Conservatives have long invoked the specter of the 1857 Supreme Court decision in Dred Scott vs. Sandford in their fight against abortion rights, likening embryos and fetuses to slaves with no due process. Progressives now, too, are drawing parallels between the stripping of rights from people who may get pregnant and the infamous majority opinion penned by then-Chief Justice Roger Taney, who wrote, "a Black man has no rights which the white man was bound to respect."
Missing from this historic analogy, however, are the experiences of Black women, whose enslavement and forced reproduction was fundamental to America's rise. We speak with Dr. Deborah Gray White, Distinguished Professor of History and Women’s and Gender Studies at Rutgers University, about this not-so-distant history and the possibilities it holds for all American women.
My take away: In the wake of Roe vs Wade being overturned by the Supreme Court, Deborah Gray White was watching the dystopian story the Handmaid’s Tale with her daughter who said, “Oh my God, we’re becoming this!” Deborah replied, “We already are this. America has used black and brown women as reproductive commodities since its founding. What’s changing is now white women are getting closer to becoming commodities again.”
Alok Vaid-Menonis a gender non-conforming writer and performer who grew up in Texas to Indian immigrant parents. They use their creativity and platform to explore themes of gender, race, trauma and belonging, advocating and bringing visibility to the trans community. We speak with Alok about their work and advocacy, and what they learned from their aunt, Urvashi Vaid, the beloved LGBTQ rights activist who spent more than a decade working for equality at the National LGBTQ Task Force.
My take away from this amazing interview: The gender non-conforming community is showing the world how to love during a time of great division, growing hate, tremendous suffering, and huge oceans of human anxiety.
We talk about changing the Constitution and what comes next after the reversal of Roe.
This conversation is part of our Remaking America collaboration with six public radio stations around the country. Remaking America is funded in part by the Corporation for Public Broadcasting.
My take away: I loved listening to Olatunde Johnson, professor at Columbia University School of Law | The United States Constitution was made by a bunch of slave owning, patriarchal, misogynistic pale males. It is ludicrous to think we cannot update or change it as our society changes and grows. This is what overturning Roe vs Wade is about. This is what Jan. 6, 2021 is about. It is about a bunch of people who want to live 18th Century lives in the 21st Century.
On June 11, 2022, the Washington, DC 2022 Capital Pride Parade began with full regalia and ceremony followed by rowdydow fun and celebration. This is the first of four videos from this day.
For the video, I wrote this:
Today was like walking into a rainbow. After more than 2 years due to COVID, the WDC Pride Parade of 2022 took place in an embrace of joy and celebration. It was one big mass of human exuberant celebration. Such a different energy than the Trump rallies that twisted and deformed into the raging, dangerous mob of Jan. 6, 2021.
I filmed one of the earlier Trump rallies, and I filmed one of the Black Lives Matter marches after the murder of George Floyd. The paranoia and double-standard of the Trump years faded to a distant unpleasant memory in the embrace of so many people celebrating differences, diversity, and inclusiveness.
What kind of world do we want?
Do we want one that is angry, overly righteous, mostly white men who want to control women's bodies and turn America into a desolate land of mediocrity and conformity?
Or do we want one that celebrates diversity, lifts up inclusivity, and makes space for everyone to shine their truth and colors as they feel them?
I choose the rainbow hands down over The Divine Republic of Gilead as depicted in Canadian author Margaret Atwood futuristic dystopian novel The Handmaid's Tale that feels more and more possible each passing day, especially since the Trump years that made hate great again in America.
Hate is not what makes us a great nation: Love is what makes us great and moments like this Parade are more important than ever, especially with the plotters of Jan. 6 still scheming how to turn America into a totalitarian state like Russia...
I suppose so we could exterminate the world in a mutual annihilation of scapegoats because that is what cheap, cowardly, hate filled people do...blame everyone else for their problems and who they really are inside.
This is the inspiration for this blog: the idea of diversity and the mutual arising of opposite things in the world because on this same day, 31 members from the group Patriot Front were arrested in Idaho.
Pride Parade in Idaho
Thirty-one men, faces covered with masks and carrying baseball bats stood packed in the back of a U-Haul like illegal immigrants sneaking into the state. The truck was heading to the Pride Parade in the city of Coeur d’Alene, Idaho. Their purpose was to start a riot.
Police said the men came from at least 10 states. They are members of the white supremacist group Patriot Front, previously known as the white nationalist hate group Vanguard America. It rebranded itself after a neo-fascist was photographed holding their shield just before he ran his car into a crowd of people, killing Heather Heyer in Charlottesville, VA.
Interview with Mother of One of the Men Arrested
Earlier this week, a mother of one of the men arrested gave an interview with Sara Sidner.
From the video above: When "a little army" of men with shields and other riot gear was spotted near a Pride parade in Idaho on Saturday, authorities soon linked the men to a relatively new White nationalist group and charged them with conspiracy to riot. Most of the men arrested had logos on their hats "consistent with the Patriot Front group," and some had other clothing associated with the White supremacist group, Coeur d'Alene Police Chief Lee White said. CNN’s Sara Sidner reports
This Same Hate Perpetuates Racism & Wars
This is the same hate that fuels racism and perpetuates continuing inequalities and brutality against black and brown people in the United States. Slavery is barbaric, and so too is racism. Americans went to war and died over ending slavery in America. This war began on April 12, 1861 and lasted until April 9, 1865. In the end, more than 620,000 men were dead, roughly 2% of the U.S .population.
However, this is far less dead than the number of men, women, and children who died being transported from Africa to America, who died as slaves from violence and mistreatment, and who have died since emancipation due to the continuing violent beliefs and hate embraced by white supremacy.
Black Live Matter March
Photos From Gettysburg National Military Park
Emancipation Proclamation & Juneteeth
Gettysburg was the bloodiest battle of the Civil War. It was the most ambitious push of General Robert E. Lee into the North. Each side fought fiercely. This battle turned out to be the turning point of the war. It is also the inspiration for President Abraham Lincoln’s immortal Gettysburg Address.
Word of the emancipation of enslaved African Americans finally reached Texas on June 19, 1865 where people were still being held as slaves. More than 150 years later, Juneteenth has finally been made a federal holiday commemorating and remembering the legacy of slavery and the emancipation of slaves in America.
Yet, this horrible battle still rages in the hearts and minds of far too many white Americans still to this very day. Hate still has a home in America.
Photos From Gettysburg National Military Park
One of Trump’s Rallies After Losing the 2020 Election
A Call To All Humans Who Value Freedom and Democracy
This Arises… That Becomes
I finally came to understand the idea of This Arises… That Becomes… from a lecture Alan Watts gave.
It is the basic principle of dependent origination as described by Buddha. In Buddhist doctrines, it is called Pratītyasamutpāda.
Pratītyasamutpāda consists of two terms:
Pratītya: "having depended." The term appears in the Vedas and Upanishads[note 2] in the sense of "confirmation, dependence, acknowledge origin". The Sanskrit root of the word is prati* whose forms appear more extensively in the Vedic literature, and it means "to go towards, go back, come back, to approach" with the connotation of "observe, learn, convince oneself of the truth of anything, be certain of, believe, give credence, recognize". In other contexts, a related term pratiti* means "going towards, approaching, insight into anything".Samutpāda: "arising", "rise, production, origin" In Vedic literature, it means "spring up together, arise, come to pass, occur, effect, form, produce, originate".Pratītyasamutpāda has been translated into English as dependent origination, dependent arising, interdependent co-arising, conditioned arising, and conditioned genesis.[note 3]
Jeffrey Hopkins notes that terms synonymous to pratītyasamutpāda are apekṣhasamutpāda and prāpyasamutpāda.
The term may also refer to the twelve nidānas, Pali: dvādasanidānāni, Sanskrit: dvādaśanidānāni, from dvāvaśa ("twelve") + nidānāni (plural of "nidāna", "cause, motivation, link").[quote 2]Generally speaking, in the Mahayana tradition, pratityasamutpada (Sanskrit) is used to refer to the general principle of interdependent causation, whereas in the Theravada tradition, paticcasamuppāda (Pali) is used to refer to the twelve nidānas.
Dependent origination is a philosophically complex concept, subject to a large variety of explanations and interpretations. As the interpretations often involve specific aspects of dependent origination, they are not necessarily mutually exclusive to each other.
One interpretation (which I feel is closest to what Alan Watts refers to in his talk) regards this doctrine…
...as describing the arising of mental processes and the resultant notion of "I" and "mine" that leads to grasping and suffering. Several modern western scholars argue that there are inconsistencies in the list of twelve links, and regard it to be a later synthesis of several older lists and elements, some of which can be traced to the Vedas.
Rocks of Ignorance & Rainbow Flags
In other words, we only know inclusivity and love in comparison to callousness and hate. Like a river diverted by a rock–some water flows to the right, some flows to the left. The rock in the river is an idea, a symbol of reality, but it is not reality. Indeed, all words, all thoughts, all ideas are poor substitutes to what is really going on in life.
What should be noted is that both streams flowing around the rock are of the same river of being. They are only being briefly divided and diverted by a rock of thought that got lodged in the river of being.
Maybe, One Day
Another way of looking at this idea is that inclusivity and love are the polar opposites of callousness and hate. Although opposites, both qualities and ways of being in the world go together just as a magnet has a North and South pole. If you chop a magnet in half, there is still a North Pole and a South Pole because a magnet is one cohesive whole thing.
Since I choose to support rainbows and Pride Parades, I stand on this side of our polarized America. It is a conscious choice to flow in the stream of being that includes rainbows and diversity. And it means I am making a conscious choice to embrace all sorts of people and their differences as well as recognize how similar we are because deep, deep down I believe what Alan Watts says that we are the fabric of existence itself.
Maybe one day, we can let go of our rocks of ignorance that we cling to for security and comfort. By letting go, we can grow as a species. And if we grow, we might be able to really feel one day our oneness with each other and all life on this planet. When rocks of thought due appear in our river of being, we can better navigate the currents of division driving us apart and pushing the entire world to a tipping point that we may not recover from due to a mutual massacre of scape goats.
Maybe one day we will know we are all part of the stream of humanity no matter our skin color, sexual preference, our religious beliefs. It has always been this way. It is only when we cling to our rocks of thoughts and rocks of ignorance, which if we are constantly anxious, nervous, angry, and afraid–we are clinging to an idea, which is one of these rocks dividing us and causing so much suffering and pain in the world.
The intersection of gay rights, racism, and white supremacy continue intersecting through time. Will we ever grow up as a species to embrace and hold all of who we are as human beings? Or will we simply continue to label, divide, and conquer each other with hate and despair? See Hate Arises… Rainbows Become… to explore more on these ideas.
We stopped at Gettysburg National Military Park, Pennsylvania on our way up for our daughter’s graduation from Middlebury College in Vermont. It was late in the day, cloudy with a little drizzle–perfect weather to walk the roughly 6000 acres of historical pasture and woodlands where Union and Confederate soldiers met in General Robert E. Lee’s second and most ambitious invasion of the North.
It was the “High Water Mark of the Rebellion”, the bloodiest battle of the Civil War, and the inspiration for President Abraham Lincoln’s immortal “Gettysburg Address”.
My husband found a monument dedicated to the 13th and 16th Vermont regiments. From their forward position, the nearly 1,500 men of these regiments poured devastating point-blank fire into the enemy ranks. They inflicted terrible casualties and ravaged the Confederate flank. The battle that was going in favor of the Confederate side began to slip. The Vermonters helped turn the tide of the battle and because of this win, turn the tide of the war itself. It would turn out that we were staying in a valley from where one of these regiments came from in Vermont.
Today, in 2022, it seems like the battle that took place on July 1, 1863, occurred so long ago and that the wounds inflicted from a country being torn apart by different ideas and ideals of how to live a good and just life would be long healed. The pictures of the wildflowers and wildlife are a testament to time and nature’s ability to regenerate.
However, the human heart and soul seems to still be torn and hurt. There are people alive today ready to do damage and tear apart America’s delicate democracy. There are people willing to lie, cheat, and steal to get more than they deserve or inflict their own will on the will of the people. Democracy isn’t easy. It requires compromise, and word that seems to have disappeared from American political and culture vocabulary. It does not require every share the exact same beliefs or values, but it does require tolerance and willingness to learn about the beliefs and values of people who are different from oneself. It requires curiosity and a basic agreement of facts and shared reality.
Will America be able to keep this fragile flower of self-governance in the face of a Republican Party that prefers to stick to loyal tests rather than truth, in the aftermath of Jan. 6, in the ongoing disenfranchisement and brutality to African Americans and any people with a darker skin tone, in the double standard that it is OK to regulate a woman’s body, but it is not alright to regulate guns?
“Every day, on average, 316 people in America are shot in murders, assaults, suicides and suicide attempts, unintentional shootings, and police intervention.” — Team ENOUGH
“Guns have become the leading cause of death for American kids. early two-thirds of the 4,368 U.S. children up to age 19 who were killed by guns in 2020 were homicide victims, per the CDC. Motor vehicle crashes, formerly the leading cause of death for kids one and older, killed nearly 4,000 children.” — Axios
If you are upset by these statistics, by politics, by anything that gets you shouting at your TV or computer screen. It is time to get outside. If you find yourself getting enraged by a rainbow flag celebrating Pride Month or want to join the next raiding party of the Capitol, why not try going to a place like Gettysburg? Walk the park rather than drive. Let yourself sink into the blood-soaked earth where flowers now grow and birds once again sing. Talk to the park rangers, read about what happened, feel yourself being transported back to that time when the sound of gun fire and exploding canon balls rang continuously like a speeding train.
War is bloody. Conflict kills. There are other ways to solve conflict arising from diversity. We have one of those ways. It is called Democracy.
The people of Ukraine are fighting fiercely for this way of organizing society. They are showing us what it means and takes to defend freedom, liberty, and justice for all against a brutal, totalitarian regime; a regime that lies to its people, that exterminates anyone who becomes a threat to it, that concentrates wealth and power among a very few.
In America today, it seems we are choosing whether to stay a democracy, which means making room for tolerance and compromise again. Or will we choose to become a dictatorial regime (like Russia) where lies and distortions are used to whip up dissent and division so that truth, justice, and liberty for all becomes a distant dream.
Stay Human! Go outside today and hug another living being!
Poet unknown, but I found a copy of this very same poem in Chapter 55 of a Timeless Place.
For a dear friend who shared this poem recently. I love its imagery and was inspired to animate parts of it with Archetypal Animations.
Have a beautiful and soulful day.
Following are sources for the images and music used to create each Archetypal Animation. All images for this blog come from Pixabay and all music is from Spotify. To hear the music, just click the little sound box in the upper right-hand corner of each animation.
You can follow my Pixabay account to see collections of spectacular photos I have encountered in my searches for images for Archetypal Animations. And follow mySpotify account for meditative and powerful playlists of musicians I have discovered in my search for musical soundtracks for Archetypal Animations.
My small insight in animating parts of this poem is:
Keep moving forward no matter the weather inside or outside.
Every emotion, feeling, and mood is rocket fuel powering us ever forward through new beginnings and endings on our endless and indestructible journey through the feeling of being.
It is only through the dark that we know the light.
It is only by descending to our deepest depths that we can reach our highest heights.
One more insight, actually it is a synchronicity between working on this poem and a movie that my husband and I watched last night. We saw a BBC version of Great Expectations. Neither of us had ever read Charles Dickens book nor seen any of the movies made about it.
Both of us were spelled bound by the convoluted beautiful tale Dickens weaves through all his stories. We were particularly captivated and appalled by Miss Havisham.
"Humiliated and heartbroken, Miss Havisham suffered a mental breakdown and remained alone in her decaying mansion Satis House – never removing her wedding dress,..." -- Wiki
Here is a sense of the depth of despair she has descended to and refuses (or cannot) let go of in this complicated story.
Her endless pain bends and distorts her until she appears more dead than alive, more witch than beautiful maiden, which she was. Still she clings to her unendurable pain, the consequences of which ripple through and define the rest of her life and beyond.
I listen to a lot of Alan Watts, and he talks a lot about letting go because there is no way to hold on to it. It can be pleasure, pain, money, status, whatever it is a person is tempted to hold on to. He also talks about peaks and troughs. You can’t have one without the other.
I immediately sought to find an example of what would happen to a human being who only held onto pleasure. A person who refuses to see, feel, or know their own pain. I could not think of a literary example, but my mother-in-law sprang to mind.
I realized a person who holds on to pleasure also is beaten and battered into more of a monster than a human being by this force–for pleasure is an energy just as pain is energy. We feel these energies as emotions inside of us.
A person who clings to pleasure becomes dim, shallow, and cruel. They become a person who takes pleasure in other people pain, misfortune, and sorrow. They have forgotten their soul needs food to grow and that consuming someone else’s pain is a pretty poor substitute for their own.
To grow, a soul needs to sink into the depths of being a mortal being. Denying their own pain and suffering, cuts them off from other people and slices themselves in half. A person who clings to pleasure becomes the same type of pitiful monster that Miss Havisham becomes due to clinging to her pain.
You can follow my journey in exploring what happens to a person who clings to pleasure through my Big Sky Series.
I recently finished watching Wallander on my local PBS station that playback back to back episodes for over a month for their Thriller Thursdays. I had begun watching Wallander years earlier (probably 2016 when it first came out), but due to public television fundraising or something like that, I never saw all the episodes until now.
I decided to animate key lines of this poem by creating moving musical archetypal images–the ones that have become my signature artwork on this site. Archetypal images as explained by the Swiss psychiatrist Carl Jung. He suggests archetypes are archaic forms of innate human knowledge passed down from our ancestors. Kendra Kelly writes in an article for the verywellmind, “Jung believed we inherit these archetypes much in the way we inherit instinctive patterns of behavior.” Indeed, Jung further postulated that archetypes are mirror images of instinctual responses that have been modified by conscious awareness. An archetype is an unconscious collective reservoir of information of what happens to people each time they make a choice to act different from what nature would have otherwise dictated through instinctual responses.
Indeed, archetypes form a psychological body much in the same way that ears, eyes, nose, arms, liver, spleen, and heart form a physical body. Just as individuals can choose to treat their bodies in different ways (e.g., some people recreate by doing drugs while others find joy and relaxation hiking outdoors), individuals fill the void of possibilities that an activated archetypes opens up inside of them in different ways (e.g., some people act on violent, criminal impulses others choose to direct their anger and rage in less violent and destructive ways).
See this well-written article about Carl Jung’s views on Crime and the Soul. And so without further ado, here is the Half-Finished Heaven by Tomas Tranströme along with my individual interpretation of images activated by each line.
The Half-Finished Heaven by Tomas Tranströme
Despondency breaks off its course.
First Archetypal Image for First Stanza
2. Anguish breaks off its course.
Second Archetypal Image for Second Stanza
3. The vulture breaks off its flight.
Third Archetypal Image for Third Stanza
4. The eager light streams out, even the ghosts take a draught.
Fourth Archetypal Image for Fourth Stanza
5. And our paintings see daylight, our red beasts of the ice-age studios.
Fifth Archetypal Image for Fifth Stanza
6. Everything begins to look around. We walk in the sun in hundreds.
Sixth Archetypal Image for Sixth Stanza
7. Each man is a half-open door, leading to a room for everyone.
Seventh Archetypal Image | Seventh Stanza
8. The endless ground under us.
Eight Archetypal Image | Eight Stanza
9. The water is shining among the trees.
Ninth Archetypal Image | Ninth Stanza
10. The lake is a window into the earth.
Tenth Archetypal Image | Tenth Stanza
Winter Solstice | Ancient Pagan Day of Ritual for Peoples of the Northern Worlds
While the winter solstice marks the “beginning of winter” in the Northern Hemisphere as marked by the longest night of the year. The same day is marked by people in the Southern Hemisphere as the beginning of summer as they experience the longest day of the year.(See article in Business Insider for a full view of the nature of time and light as experienced by life on Earth).
Across the Northern Hemisphere, peoples of all times and cultures and religions took note of when the dwindling light finally relented its steady march to darkness and turned the other way. Earth probably owes this time honored pattern to a collision with another planet thought to be about the size of Mars. This colossal collision s a hypothesized to have occurred way, way back at the dawn of the creation of our solar system when an ancient planet called Theia collided with early Earth about 4.5 billion years ago. The impact knocked ancient Earth off its axis titling it so that it wobbles back and forth with the Northern Hemisphere facing towards the sun for six months and then the Souther Hemisphere. It also is thought to have created the moon and could have been a critical conveyor of water to our planet. [Image from Universe Today | A Cataclysmic Collision Formed the Moon, but Killed Theia by Evan Gough | 2/2/16]
Due to our fantastic ability to focus consciousness like a beam of light, humanity has built up a vast reservoir of knowledge like this, but our ancestors were no less clever–they simply had different ways to explain what they were experiencing. Especially significant events such as the dwindling of sunlight that made food hard to find and increased the need of ancient man to find shelter. If Earth one day never wobbled back to warm the Northern Hemisphere, it would spell doom for millions of living organisms that inhabit these realms of the planet.
Just a small representation of the diverse celebrations marking the return of light to the Northern Hemisphere include:
Saint Lucia’s Day, Scandinavia.
St.Lohri, Northern India.
Soyal, Hopi of Northern Arizona. .
Yule, Northern Europe.
Santo Tomás Festival, Guatemala.
Saturnalia, Ancient Rome.
There are many more Winter Solstice celebrations in the Northern Hemisphere besides these. In my previous blog, Satan’s Sister & Santa Claus, I explore the colonization of these vast, diverse Winter Solstice celebrations as the ancient roots of Western Civilization stretched far into the northernmost regions of Europe, and then far beyond to become a dominating force around the world imposing a worldview that “sees humans as dominant over nature and feels natural resources should be used for the benefit of humanity. The western worldview puts man first and declares human beings as superior to all other living and non-living things in the environment. ” — Environmental Worldviews: Western & Deep Ecology
For the ‘civilized’ Romans colonizing northern Europe long ago, this is where the barbarians lived. Even today, their fear mixed with disgust and desire to control and gain more loot for themselves looms large in the psyche of modern Western man. Conduct a Google search of barbarian, and you will find tons of images of primal Germanic-Nordic warriors.
All this is a long way of saying that we are complex beings with written histories that are highly biased to glorify the conquering tribes. Or if not completely conquered, the assimilation of whole groups of people into a larger and/or more technological advanced group. But we also have psychic histories that are stored in the collective well of consciousness, the one Carl Jung helped to bring into the sphere of the long, narrow beam of Western consciousness.
Here, nothing is lost or forgotten. Here, a completely soft-spoken, normal, well-adjusted modern man can turn into a barbarian in a split second when some sleeping archaic archetype is trigger into action. When we fail to grow as conscious beings, we can easily succumb to the power of our sleeping psyche.
Consider Robert S. Palmer, 54, of Largo, Fla. who pleaded guilty in October to assaulting law enforcement officers with a dangerous weapon during the Jan 6 assault on the Capitol. The Washington Post reports that he had thrown a fire extinguisher — twice — a large plank and then a four- to five-foot pole at police before he was struck with one rubber bullet. At his sentencing, Palmer said, “I’m really, really ashamed of what I did. I was horrified, absolutely devastated to see myself on there.” — Fla. man sentenced to 5 years for attacking police, the longest Jan. 6 riot sentence yet by Tom Jackman, 12/17/21
He will now serve 5 years in prison for his actions that he himself is ashamed of committing almost a year ago. How does an average, law-abiding citizen go from a normal man to a berserker capable of murder?
The Old Norsemen knew how. They cultivated and embodied a whole class of warriors known as berserkers. Men who put themselves into a trance-like fury making them furiously violent and out of control. — Wiki Berserker | Images from Wiki and Google Berserker search
Got to admit that there are striking similarities between depictions of ancient Norse berserkers and the Jan 6, 2021 riot at the Capitol–mainly furious white men in a rampage. This is the ugly under belly of Western Civilization beaming brightly for all to see. The barbarian is alive and well in modern times. It has not been vanquished nor destroyed in the minds and psyches of modern men and women. It only needs to be tripped or triggered to roar vividly back to life.
And so, here we are back to the barbarian. This is why I choose the poem by Tomas Tranströme for on this shortest day of the year in the Northern Hemisphere we are reminded of our finite time on Earth and the question begs to be asked what kind of life do we wish to choose for ourselves, for our loved ones, and for everyone else. It is all connected–individual actions are connected to collective actions that are connected to our shared reality.
I like Tranströme’s poem because it mines the deep archaeological cervices where valiant, cowardly, noble and ignoble parts of our all-too-human-soul lie forgotten but very much ready to take over control of the reins guiding our thoughts and actions in the world. His poem helps modern men and women who scarcely have a moment to think a thought for themselves anymore to pause and sink deeper into who they really are as living, conscious beings on a miraculous planet chock full of life.
This is what ancient Winter Solstice celebrations paid tribute to–the miracle of life on Earth. This is something all humans everywhere and through all times felt and perceived and celebrated. It is what the early Christian missionaries understood and so moved the birth and celebration of Jesus to this time of year to harness and redirect this powerful flow of collective human consciousness. It is what Tranströme’s poem hints at, very delicately but in a dynamic, compelling, numinous way. This shortest day of the year is an opportunity to feel and remember who and what we really are.
The interpretation of Half-Finished Heaven by the London Buddhist Centre is different from my interpretation as captured in the animated musical images above. However, rather than negating my personal interpretation, the Buddhist Centre’s interpretation widens and broadens the archetypal image that offers a glimpse into a room for everyone as captured by Tranströme’s seventh stanza of his poem. This room is the rich reservoir of humanity’s collective consciousness–as illuminated by the light of our collective conscious attention and as sleeps in the depths of our collective unconsciousness.
What follows is not a detailed analysis of the images above but rather an accounting of what used to create them. The power of an archetype always lays inside of you and what is evoked in your heart and mind. [Note: My division of Tranströme’s poem does not necessarily conform to his original publishing of this poem as available in The Half-Finished Heaven: Selected Poems and other publications featuring Tranströme’s work.]
“If we want to know what clouds of affliction mean & why they are sent we can’t flee away from them in fright with closed ears & bandaged eyes. Fleeing from the cloud is fleeing from the God’s love behind the cloud.”
“What is the meaning and symbolism of Yule on the Wheel of the Year? Yule is the time of the rebirth of the Sun at the winter solstice, a time for parties, gift-giving, and more. Join our virtual discussion group on Zoom or follow our livestream on your YouTube channel.”
“The confabulation of pagan and Christian symbolism for the Winter holiday. “It is not the birth of the Sun but rather that of the Son.”
“When the Church became ascendant in the Empire, it did all it could to squelch the festival, but like many popular pagan customs, it was so integrated into many daily lives that it inevitably influenced how Christmas, by then assigned to the same calendar day, was observed.“
Music for the Feature Archetypal Image is Magic Forest — Winter Solstice on Ice. This is a beautiful song filled with mystery, wonder, and magical being in a world full of life.
This video is a Tribute to Cider. She is our beloved dog who we lost suddenly and tragically two days before Christmas of 2019. She was 11 years and 1 month old. She was a senior dog, but she was full of life and acted like a puppy always. Our illusions about reality can break and shatter into millions of tiny pieces so suddenly, and how they prevent us from really seeing reality. Hang on to all those who you love be them people or pets or our beloved planet Earth. I began these drawings 7 months before Cider’s death.
Music for the archetypal image of despondency is My Friend by NKOHA, which is beautiful, haunting, and enchanting–capturing the sweet silence of despondency and the betrayal of something sacred that often leads to this powerful emotional force within us.
Second Archetypal Image | Second Stanza
Anguish breaks off its course.
Digital album cover forAnguishby Anguish Design and Layout by Paul Romano Sculpture by Darla Jackson
The missing face of this figure is especially poignant and evocative of the powerful emotional currents of anguish.
Music for the archetypal image of anguish is Anguish by Devil Airlines. It is particularly chilling and haunting as it captures musically the terrible cycle of captors and captives that leaves so many people in warped and mangled states of anguish.
Image from: Ruby the Turkey Vulture | Portland Aududon — In 2007, a woman called the Wildlife Care Center to report that a friendly Turkey Vulture was hanging around her property near McMinnville, Oregon. It had flown down to the ground and thrown an acorn at someone’s feet, slept on the woman’s porch, followed her around and into her barn, and jumped onto her arm.
Have a bone to pick with the scraggy vulture? Just remember they’re vital as nature’s waste disposers – which is why their decline is very bad news…
Music for the archetypal image of the vulture breaks off its flight is OST: PURPLE EYES ~ Pachislot Akumajo Dracula Lords of Shadow. I chose song for its sound, which is edgy, uncanny, unearthly, eerie, which are all qualities that an image of a vulture can evoke–after all they are a bird strongly associated with death. And so is count Dracula come to think of it. Perhaps this stanza of the poem suggests even death breaks off its path in the light of life.
Fourth Archetypal Image | Fourth Stanza
The eager light streams out, even the ghosts take a draught.
Music for the 4th archetypal image is from Spooky Mall by LIL Runners (Available on Amazon Music). I felt the sample I found to have the perfect mix of mysterious, spookish, and uncanny, which felt right for this 4th stanza of Tranströme’s poem. I am afraid you have to have Amazon music or listen to the sample embedded in the animation above.
Fifth Archetypal Image | Fifth Stanza
And our paintings see daylight, our red beasts of the ice-age studios.
Darting eyes and busy hands create a captivating narrative between otherwise staid figures, each of which is richly clothed in meticulously painted combinations of color and texture. La Tour has taken on a theme popularized in Northern Europe by prints and in Rome by Caravaggio: an old Roma (traditionally known by the derisive term “Gypsy”) woman reads the young man’s fortune as her beautiful companions take the opportunity to rob him. — Visit the Met Museum online to learn more about this painting
I lost this one… sorry
Sunlight–reflected and refracted–paints an ever-changing color composition.
Created by artist Bob Miller, this classic Exploratorium exhibit is a “live” painting that uses light from the Sun as its palette.
Post by Chris Chalk on 29th January 2017 about painting
The confluence of light and paint seemed important in this stanza.
Image from Ice Age Wiki: Rudy is a Baryonyx that lived in an underground world during the Ice Ages. He makes his appearance in Ice Age: Dawn of the Dinosaurs where he is the main antagonist. I am pretty sure this stanza is referring to cave paintings but something adorable and deadly caught my attention with this image, and so it found its way into this animation. Perhaps a nod to man’s deadly ice-age, dinosaur side laying asleep deep inside his psyche until something triggers it wide awake!
Another image of Rudy who appears through mist to Buck.
I really love this red dinosaur!
Music for the 5th archetypal image is from The Velociraptor Song from Press Play Picture House. Watch out! This song really gets in your head!!! I love it, and I feel it really does speak to a feeling buried deep in this stanza of Tranströme’s poem. I think he is hinting at the ancient, primal parts buried deep inside of us and barely illuminated by our individual small flickering flames of consciousness. They really can catch you inside the deep recess of your soul, the parts hidden in the dark.
Sixth Archetypal Image | Sixth Stanza
Everything begins to look around. We walk in the sun in hundreds.
And don’t miss my blog about Naked Athena and her power.
Image from Crowd Png Image File – People Crowd Walking Png, Transparent Png I liked the long and endless feeling that this image adds to the animation
Music for the 6th archetypal image is from by Thomas Bergersen – Cry (Sun). This is a powerful, compelling, hair raising symphony of voice and musical instruments that captures an endeavor, which is what this stanza makes me think of and feel.
Seventh Archetypal Image | Seventh Stanza
Each man is a half-open door, leading to a room for everyone.
“Everyone who lives life intensely has, at one point or another, experienced what I like to call a half-open door. We know it can get complicated, butwe only get one shot at life and at finding what really makes us happy while living it. Part of our happiness depends on knowing which doors to shut and which to fully open. It’s extremely healthy to remember that a half-opened door is half-opened happiness.“
Image from: Door | Spremberg, Germany, Urban Exploration
Here are some other spectacular photos on this site —
Music for the 10th archetypal image is At the End A mix for the end of the world part. 1 The National Parks. This is an awesome song and perfect, absolutely perfect for this last stanza of this amazing poem.
We Are Indeed Tranströme’s Half-Finished Heaven
We the people of this beautiful Earth. And winter’s fading light is a stark reminder of our own fading life–for no living being exists forever. Each of us has a limited amount of time to be (truly be) in this Half-Finished Heaven or this Half-Finished Hell for both are possibilities inside of us. And we choose, as conscious living beings, which one to inhabit moment by moment.
It is because of this dwindling light of life that each of us must face that I would like to dedicate this post to my dear friend Brian Bergman. He passed away suddenly 4 months ago to this day. I only found out last week that he had died. This is a video that he helped me make back in 2016. We always talked about making more. Life is precious and fades too fast, just as the setting sun almost disappears during the winter months.
Be well. Take care. And Happy Winter Solstice to you on this good and longest night!