The Enigma of Coexistence | Part 6: The Marvelization of Man

This blog addresses the last section of chapter 5 in Joost Merloo’s The Rape of the Mind.

Now we are getting into the nitty gritty stuff of why we need strong archetypal characters and stories, especially now. We need them because we live in a time chock full of improbable characters playing as if they are super heroes, but really they are just playing insidious tricks on our minds so they can get our money or get power.

And if they do get enough power, they are going to take everything from you (Yes, even if you supported them, especially if you supported them!)

And also as if we need even more examples of why we need to strengthen our minds against frauds and fakesters, just the other day, David Gura spoke with Zeke Faux of Bloomberg News and New Yorker staff writer Sheelah Kolhatkar about the trial of Sam Bankman-Fried who is the disgraced founder of the cryptocurrency exchange FTX.

This part of the interview is exactly what Joost Merloo is writing about here and why I am highlighting in this blog: We are suckers for people with money. We are even worse suckers for people who pretend to have money!

Pay attention:

GURA: For people who haven't invested in crypto, haven't dabbled in this world, don't know Sam Bankman-Fried, don't know what FTX is, why is this story, why is this alleged fraud so important and such a big deal?
KOLHATKAR: This is an old story, to some extent. This is a story about, you know, an ostensible genius who happened to be very young, lauded by the press, you know, worshipped by Silicon Valley, who was allowed to go out and behave in, ultimately, a reckless way with other people's money while people turned and looked the other way. And, you know, lo and behold, things were not as they seemed. Something was seriously wrong, and it resulted in a, you know, terrible amount of pain and destruction and financial losses.
And this arc, this narrative arc, is something we see over and over again, particularly in sort of hot, new tech companies where you often have these young men who are just empowered to go out and behave recklessly while they try and grow their companies. And then, of course, we figure out afterwards that they were cutting corners or fraud occurred, and, you know, there's all sorts of pain and recrimination. And you don't have to care about crypto to care about the outcome and the question of whether justice is served in this case.

-- The fall of crypto | All Things Considered, NPR

The Enigma of Coexistence

Is it possible to coexist with a totalitarian system that never ceases to use its psychological artillery? Can a free democracy be strong enough to tolerate the parasitic intrusion of totalitarianism into its rights and freedoms? History tells us that many opposing and clashing ideologies have been able to coexist under a common law that assured tolerance and justice. The church no longer burns its apostates.
Coexist | Music: Coexist — The xx — Chained
Before the opposites of totalitarianism and free democracy can coexist under the umbrella of supervising law and mutual good will, a great deal more of mutual understanding and tolerance will have to be built up. The actual cold war and psychological warfare certainly do not yet help toward this end.
To the totalitarian, the word "coexistence" has a different meaning than it has to us. The totalitarian may use it merely as a catch-word or an appeaser. The danger is that the concept of peaceful coexistence may become a disguise, dulling the awareness of inevitable interactions and so profiting the psychologically stronger party. Lenin spoke about the strategic breathing spell (peredyshka) that has to weaken the enemy. Too enthusiastic a peace movement may mean a superficial appeasement of problems. Such an appeal has to be studied and restudied, lest it result in a dangerous letdown of defences, which have to remain mobilized to face a ruthless enemy.

A tragic example of this is what happened to Khasoggi five years ago today.

Image from Morning Edition – NPR: Saudi journalist Jamal Khashoggi was killed at the Saudi consulate in Istanbul on October 2, 2018. Five years on, there has been little accountability — and human rights groups say that has implications for free expression around the world.
Ozan Kose/AFP via Getty Images

As I write this blog, today is five years since Jamal Khashoggi with murdered and mutilated. Rachel Treisman opens this segment saying:

Jamal Khashoggi — a Saudi dissident who lived in Virginia and wrote for the Washington Post — walked into the Saudi consulate in Istanbul to obtain documents for his upcoming marriage. He never came out.
Khashoggi, 59, was dismembered, and his remains have never been found.
U.S. intelligence later determined that a team of 15 Saudi agents had flown to Istanbul to carry out a "capture or kill" operation approved by Crown Prince Mohammed bin Salman (MBS).

What strikes me as particularly pertinent to what Joost Meerloo is saying above is what Khashoggi’s friend and collegue Washington Post columnist David Ignatius says:

It's undeniable that there have been major changes in Saudi Arabia in the last five years, Ignatius notes.
For example: The government lifted a ban on women driving months before Khashoggi's death in 2018; now women "mix freely in Saudi society with men," including at music festivals. It stripped the "religious police" of their privileges, which led to many women no longer wearing the hijab in public.
Saudi Arabia and Israel have hinted they are open to establishing formal relations, which Ignatius says is something he never thought he'd see in his lifetime.
"It would be wrong not to credit those changes," Ignatius said. "What bothers me is that those changes have been implemented essentially by force ... We should understand that this is a modernizing dictator. And there's always the danger that citizens of Saudi Arabia could be thrown into prison if they disagree with him."

If you are interested in this topic, you should listen to the whole interview. It is only 3 minutes; time well spent to understand the complexities of our time and how what looks like a good thing or even a GREAT things, might be a very poisonous thing for our psychological reality.


Back to Joost and The Enigma of Coexistence:

Coexistence may mean a suffocating subordination much like that of prisoners coexisting with their jailers. At its best, it may imitate the intensive symbiotic or ever-parasitic relationship we can see among animals which need each other, or as we see it in the infant in its years of dependency upon its mother.
In order to coexist and to cooperate, one must have notions and comparable images of interaction, of a sameness of ideas, of a belonging-together, of an interdependence of the whole human race, in spite of the existence of racial and cultural differences. Otherwise the ideology backed by the greater military strength will strangle the weaker one.
Peaceful coexistence presupposes on BOTH sides a high understanding of the problems and complications of simple coexistence, of mutual agreement and limitations, of the diversity of personalities, and especially of the coexistence of contrasting and irreconcilable thoughts and feelings in every individual of the innate ambivalence of man. It demands an understanding of the rights of both the individual and the collectivity. Using coexistence as a catch-word, we may obscure the problems involved, and we may find that we use the word as a flag that covers gradual surrender to the stronger strategist.

Page 72 — Chapter 5: The Rape of the Mind by Joost Meerloo


Do you think the United States’ Congress has a high understanding of the problems and complications of coexistence? Given the recent fight over funding the US government and now Matt Gate’s stunt, it seems we need divine intervention to help guide us weaker minded souls in just remembering how to compromise and get along together.

Go to Your Corners | Music: Donkeys & Elephants by Somr

“In the majestic Halls of Congress, God ushers elephants to one corner and donkeys to another, bestowing upon them a much-deserved respite.

Archetypal Animations

Images made on Genolve using AI with music for each animation as follows:

Feature Archetypal Animation

Music: The Greatest Showman (Original Motion Picture Soundtrack) — Various Artists — The Greatest Show

First Archetypal Animation

Music: Coexist — The xx — Chained

Second Archetypal Animation: Donkeys & Elephants by Somr

A Stormy Moment

The wind’s in the willows

My heart is in two.

The wind’s in the willows…my heart is in two| Music: 50 Shades of Purple | Songs For the Brokenhearted by Maria Paloma

I sit being billowed

Thinking of you.

Thinking of You… | Music: Molly (feat. Brendon Urie of Panic at the Disco) | Lil Dicky

The wind’s in the willows

It’s starting to rain.

It’s starting to rain… | Music: Thunderstorm & Rain (Sleep & Mindfulness) | Sleepy John

I sit getting drenched

Both with droplets and pain.

I’m getting drenched… | Music: Pain PinkPantheress | [1] Pain    1:39

Poet unknown, but I found a copy of this very same poem in Chapter 55 of a Timeless Place.

For a dear friend who shared this poem recently. I love its imagery and was inspired to animate parts of it with Archetypal Animations.

Have a beautiful and soulful day.


Following are sources for the images and music used to create each Archetypal Animation. All images for this blog come from Pixabay and all music is from Spotify. To hear the music, just click the little sound box in the upper right-hand corner of each animation.

You can follow my Pixabay account to see collections of spectacular photos I have encountered in my searches for images for Archetypal Animations. And follow my Spotify account for meditative and powerful playlists of musicians I have discovered in my search for musical soundtracks for Archetypal Animations.


Feature Archetypal Animation:

UnderWater Fashion Woman Art Water Tank Fine Art | Engin_Akyurt | Engin Akyurt  •  Age 41  •  Türkçe  •  Member since Nov. 1, 2016  •  #25
Willow Tree Winter Light Color Sky | elvina1332 | Эльвина Якубова  •  Age 29  •  Каспийск/Россия  •  Member since Jan. 22, 2018  •  #869
Match Smoke Match Head Sticks Matches Burn | roegger | Deutsch  •  Member since Nov. 25, 2014
Girl Nighttime Lantern Oil Lamp | Greyerbaby | lisa runnels  •  Age 59  •  magee/united states  •  Member since Jan. 13, 2012
Love Heart Valentine’s Day Red Affection Hearts | marcosaasilva | Marcos Silva  •  Age 58  •  Macaé/Brasil  •  Member since Nov. 19, 2016

Music: Day 28: Mantra for Moving Forward (So Dar Keha) | Meditative Mind


First Archetypal Animation:

Weeping Willow Willow Tree | MabelAmber 👀 who will one day  •  make you hide…/your face in your hands 👀  •  Member since Sept. 6, 2015
Heart Broken Nature Love Leaf | Modman | Kevin McIver  •  Age 59  •  English  •  Member since April 22, 2015
Hourglass Shattered Broken | Heather_Ann | Heather Plew  •  Age 32  •  Grapeview/USA  •  Member since Jan. 25, 2018
Heart Crack Broken Pain | chadkrue17 | Chad Krusenstjerna  •  Age 25  •  Lynnwood/United States  •  Member since Aug. 24, 2015

Music: 50 Shades of Purple | Songs For the Brokenhearted by Maria Paloma


Second Archetypal Animation:

Abstract Background Grey Billow | yadiyadi | English  •  Member since Jan. 28, 2013
Background Abstract Etherial Billows | yadiyadi | English  •  Member since Jan. 28, 2013
Paraglider Leisure Sports Free Flight | JACLOU-DL | JackieLou DL  •  La Baie du Mont saint Michel/France  •  Member since June 10, 2017  •  #72
Woman Face Light Painting | Inactive account – ID 19833603

Music: Molly (feat. Brendon Urie of Panic at the Disco) | Lil Dicky


Third Archetypal Animation:

Weeping Willow Willow Tree | MabelAmber 👀 who will one day  •  make you hide…/your face in your hands 👀  •  Member since Sept. 6, 2015
Window Glass Water | Pexels | English  •  Member since March 26, 2016
Rain Umbrella Pavement Red Black | nikondian | Souvick Ghosh  •  Age 32  •  Kolkata/India  •  Member since July 22, 2017
Cloud Heart Love Wind | Kranich17 | Michaela  •  Germany  •  Member since Jan. 6, 2019  •  #332

Music: [1] Thunder & Rain Sounds, Pt. 01    1:05 | Thunderstorm & Rain (Sleep & Mindfulness) | Sleepy John


Fourth Archetypal Animation:

Hand Hyperhidrosis Sweating | BarbaraBonanno | Barbara Bonanno  •  Massa (MS)/Italia  •  Member since Feb. 20, 2015
Scream That Weather Breath | Engin_Akyurt | Age 41  •  Türkçe  •  Member since Nov. 1, 2016  •  #25
Under Water Fashion Woman | Engin_Akyurt | Age 41  •  Türkçe  •  Member since Nov. 1, 2016  •  #25
Under Water Fashion Woman Art | er Water Fashion Woman | Engin_Akyurt | Age 41  •  Türkçe  •  Member since Nov. 1, 2016  •  #25
Under Water Fashion Woman Art | er Water Fashion Woman | Engin_Akyurt | Age 41  •  Türkçe  •  Member since Nov. 1, 2016  •  #25

Music: Pain PinkPantheress | [1] Pain    1:39

My small insight in animating parts of this poem is:

Keep moving forward no matter the weather inside or outside.

Every emotion, feeling, and mood is rocket fuel powering us ever forward through new beginnings and endings on our endless and indestructible journey through the feeling of being.

It is only through the dark that we know the light.

It is only by descending to our deepest depths that we can reach our highest heights.


One more insight, actually it is a synchronicity between working on this poem and a movie that my husband and I watched last night. We saw a BBC version of Great Expectations. Neither of us had ever read Charles Dickens book nor seen any of the movies made about it.

Both of us were spelled bound by the convoluted beautiful tale Dickens weaves through all his stories. We were particularly captivated and appalled by Miss Havisham.

"Humiliated and heartbroken, Miss Havisham suffered a mental breakdown and remained alone in her decaying mansion Satis House – never removing her wedding dress,..." -- Wiki

Here is a sense of the depth of despair she has descended to and refuses (or cannot) let go of in this complicated story.

great expectations | miss Havisham
57,082 views, Jan 2, 2012

Her endless pain bends and distorts her until she appears more dead than alive, more witch than beautiful maiden, which she was. Still she clings to her unendurable pain, the consequences of which ripple through and define the rest of her life and beyond.

I listen to a lot of Alan Watts, and he talks a lot about letting go because there is no way to hold on to it. It can be pleasure, pain, money, status, whatever it is a person is tempted to hold on to. He also talks about peaks and troughs. You can’t have one without the other.

I immediately sought to find an example of what would happen to a human being who only held onto pleasure. A person who refuses to see, feel, or know their own pain. I could not think of a literary example, but my mother-in-law sprang to mind.

I realized a person who holds on to pleasure also is beaten and battered into more of a monster than a human being by this force–for pleasure is an energy just as pain is energy. We feel these energies as emotions inside of us.

A person who clings to pleasure becomes dim, shallow, and cruel. They become a person who takes pleasure in other people pain, misfortune, and sorrow. They have forgotten their soul needs food to grow and that consuming someone else’s pain is a pretty poor substitute for their own.

To grow, a soul needs to sink into the depths of being a mortal being. Denying their own pain and suffering, cuts them off from other people and slices themselves in half. A person who clings to pleasure becomes the same type of pitiful monster that Miss Havisham becomes due to clinging to her pain.

You can follow my journey in exploring what happens to a person who clings to pleasure through my Big Sky Series.

Traveling to Big Sky Country — September 22, 2021 — Moab — Junction
26 views
Premiered Oct 15, 2021

Have a beautiful day!